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Pierrick Pedron: Cheerleaders
by Bruce Lindsay
Pierrick Pédron grew up in 1980s France listening to Neil Young and the super groups of rock, as well as to saxophone greats such as Charlie Parker and Cannonball Adderley. This combination of early influences can be clearly heard on the French alto saxophonist's third solo album, the fascinating and occasionally enigmatic Cheerleaders. ...
Nick Hempton: The Way It Is
by David A. Orthmann
The Business (Positone, 2011) is a milestone in the career of Nick Hempton. Since arriving in the USA from his native Australia in 2004, the 35-year-old saxophonist, composer, and bandleader has slowly but surely worked his way up the ladder of the notoriously competitive New York City jazz scene. Hempton's second date as a leader is ...
Yusef Lateef: Eastern Sounds Turns 50
by Alan Bryson
Think back fifty years to the days portrayed on the TV series Mad Men. In 1961, John Kennedy and Billboard's Easy Listening Chart were inaugurated, a freedom riders bus was fire-bombed in Alabama, Rock Hudson was on the big screen, and Doris Day was selling albums. As teenagers and their swinging parents were ...
PDX Jazz Presents Ramsey Embick Trio @ Mission Theater - "In a Silent Way: The Music of Joe Zawinul"
Thursday, September 29th @ 8pm Consumer Friendly Pricing, All Seats $15 Limited Reserved Seats for PDX Jazz Members PDX Jazz, the presenting organization of the Portland Jazz Festival in partnership with the Mission Theater, along with The Crystal Hotel and our media sponsor KMHD Radio, is set to continue the PDX Jazz ...
Mace Hibbard: Time Gone By
by Edward Blanco
Performing a selection of thoroughly modern jazz, inspired and influenced by the music of Cannonball Adderley, Miles Davis and Branford Marsalis, Atlanta-based saxophonist/composer Mace Hibbard delivers the creative and highly entertaining Time Gone By, his second album as leader and the follow-up to his critically-acclaimed debut, When Last We Met (CDBY, 2007). A ...
Ryan Truesdell: The Gil Evans Project
by Victor L. Schermer
Imagine the commotion when previously unknown manuscripts of Beethoven or Bach were discovered. In the jazz world, the equivalent of such an event might occur with regard to the music of innovators like Duke Ellington or Gil Evans. Indeed, that is exactly what composer-arranger-conductor-producer Ryan Truesdell has uncovered with Evans' music. He researched and found a ...
Take Five With Paul Lieberman
by AAJ Staff
Meet Paul Lieberman: After a session at Mickey Hart's, Gil Evans noted to Airto Moreira: “everything he plays sounds right," and David Sanborn responded to a show in New York with a surprise kiss. Saxophonist and flutist Paul Lieberman's 2011 CD ibeji features a number of legendary musicians: Rufus Reid and Nilson Matta on ...
The PVR-Jazz Quartet pays homage to legendary saxophonists on debut album
If the PVR-Jazz Quartet's Jake Epstein could have his own Field of Dreams, he'd probably fill it with the saxophone legends of his youth, icons like Cannonball Adderley, Sonny Stitt, Charlie Parker, and Johnny Hodges. They are among the ghosts who haunt the PVR-Jazz Quartet's debut album, Reunion. Epstein, who plays alto saxophone with the PVR-Jazz ...
Australia's Backlash Jazz Quintet revives hard bop sounds with cage-rattling energy on new CD
To trumpeter Benn Hodgkin, jazz is about an era. A specific style. And a record label. When Hodgkin formed his band the Backlash Jazz Quintet in 2002, it was to pay homage to the hard bop records that Blue Note released in the '50s and '60s. Artists such as Cannonball Adderley, Art Blakey, and Freddie Hubbard ...
Billy Jenkins: Jazz Gives Me The Blues
by Chris May
Billy JenkinsJazz Gives Me The BluesVOTP Records2011 If the title Jazz Gives Me The Blues suggests that London guitarist/vocalist Billy Jenkins is hacked off with jazz, you would be right. Kind of. What Jenkins objects to is the gentrification and institutionalization of jazz, once--a quantum leap from ...
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