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Results for "Cannonball Adderley"
Alex Han: Embracing The Spirit
by Liz Goodwin
With a bold, invigorating, and adventurous sound, alto/soprano saxophonist and composer Alex Han is a sonic force on his debut CD, Spirit. The project was produced by none other than the 2009 Berklee College of Music graduate's longtime employer and friend, the incomparable Grammy-Award winning electric bassist/bass clarinetist/producer/composer Marcus Miller for Miller's own label, ...
Lauren Kinhan: A Sleepin' Bee
by Dan Bilawsky
Leaning on touchstones as a creative resource can be tricky business. If an artist puts too much stock in the original, they end up with a second-rate likeness of the archetype. But if they move too far away from the model, the tether breaks and the connection is completely lost in the wind. It takes a ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
John McLaughlin's American Farewell Tour with Jimmy Herring
by Alan Bryson
Nearly five decades have passed since John McLaughlin set foot in America as a relatively unknown musician to join the fusion band Lifetime, with the great drummer Tony Williams and equally great organist Larry Young. Two days later he was in the studio with Miles Davis recording In a Silent Way. The breadth and scope of ...
Richie Cole: Blue Collar Bebopper
by Rob Rosenblum
Jazz alto saxophonist Richie Cole wants to reach out to you, whether you are the mayor of a highly popular tourist city or just a guy dropping over for a couple of beers. “I play for people," says Cole. “People are all the same. If they understand or want to understand jazz, I welcome ...
Miles Davis: Milestones
by C. Michael Bailey
Milestones was Miles Davis' third Columbia release after 'Round About Midnight (1957) and Miles Ahead (1957). The recording was made during one of Davis' most creatively intense periods, preceding his recording of the soundtrack for Ascenseur Pour L'echafaud (Fontana, 1958) in late 1957 and the subsequent recordings of Cannonball Adderley's Somethin' Else (Blue Note, 1958) and ...
Charles Lloyd: The Winds Of Grace
by Ian Patterson
At seventy nine years young Charles Lloyd is showing no signs of slowing down. The summer months see the Memphis saxophonist/flautist on the North American and European festival circuits with his quartet of Gerald Clayton, Reuben Rogers and Eric Harland, followed by dates with The Marvels, Lloyd's most recent group, featuring Bill Frisell, Greg Leisz, Rogers ...
Hal Galper And the Youngbloods: Live At The Cota Jazz Festival
by Dan McClenaghan
The trio recordings released by pianist Hal Galper between 2006 and 2014--six discs, all but one on Origin Records--plowed fresh ground. Each disc dug deeply into the “Rubato" form. Taken as a whole--from 2006's Agents Of Change (Fabola Records) through 2014's O's Time (Origin Records)--the full series represents a monumental, sharply focused project that, for those ...
Nicole Johänntgen: Henry And The Free Bird
by Ian Patterson
In Richard Bach's book Jonathon Livingston Seagull (Macmillan 1970), the tale of a seagull with a passion for flight and freedom, there is a line that goes: “Don't believe what your eyes are telling you. All they show is limitation. Look with your understanding. Find out what you already know and you will see the way ...
Terri Hinte: Co-Creating the Image of Jazz
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the second of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, ...
