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No "Vanity" Here: Jackie Ryan, Denise Donatelli, Lisa Sokolov, Kat Edmonson
by J Hunter
One of the whinier columns ever to appear in a major jazz publication concerned “Vanity Projects"--that is, sessions bankrolled by rich men for their marginally talented spouses/girlfriends/siblings/whatever. Unfortunately, those kind of recordings do exist, and in far greater numbers than desirable. However, the author's implication was that most female vocal projects could be categorized in this ...
Duke Ellington London and New York 1963-1964 The Great Concerts, The Duke of Elegant - Gems From the Duke Ellington Songbook
by Andrew Velez
Duke EllingtonThe Great Concerts (London & New York 1963-1964) Musicmasters-Nimbus 2009 Various ArtistsThe Duke of ElegantHighNote2009 “First of all the kids in the band want you to know they love ...
In Memoriam: George Russell 1923-2009
by AAJ Staff
George was such an inspiration to all of us in his sextet. He encouraged us to go beyond our limitations by introducing and suggesting fresh new concepts. As band members (students) he gave us the encouragement we needed to go further and deeper into our musical improvisations.Playing in his band was a turning point ...
Lainie Cooke: Speaking to the Heart
by Esther Berlanga-Ryan
When Lainie Cooke sings, the heart sinks in poetry made music; air seems to stop to avoid interrupting the flowing of such a magical, beautiful voice. She fills the barely-noticeable silence between notes with a voice that caresses the heart. Her life has been a jazz-bound adventure inspired by an early need to entertain others, landing ...
Krzysztof Popek: Estate
by Jerry D'Souza
Alto flautist Krzysztof Popek gives his music another vantage point with Estate. From Poland, Popek has long been part of a very fertile and evolving turf that included Michal Urbaniak, Tomasz Stanko and Jaroslaw Smietana. It was in this environment that Popek established himself as the leading flautist of the country. But boundaries dissolve with the ...
Lisa Sokolov: A Quiet Thing
by Donald Elfman
No song is a simple thing in Lisa Sokolov's hands, for she delves into the magical possibilities of the voice and the beauty and mystery of words. Her third album, A Quiet Thing, extends the power of her earlier recordings, continuing her progression towards the majestic and ecstatic “silence" of the universe. She bills her new ...
Cameron Brown: Here and How! Volume 2!
by Florence Wetzel
Bassist Cameron Brown has had a long and illustrious career as a sideman. He has appeared on around 100 recordings, providing an anchor for luminaries such as Archie Shepp, Roswell Rudd and Beaver Harris, as well as the celebrated Don Pullen/George Adams Quartet. In 2003 Brown stepped out as a leader with Here and How!, culled ...
Jason Rigby: The Sage
by Eyal Hareuveni
The sophomore release of New York-based saxophonist/composer Jason Rigby features him as a unique new voice that deserves wider attention. His deep, full-bodied tenor sound and his inside-outside jazz vocabulary reference sax greats such as John Coltrane and Wayne Shorter, while his elastic sense of time sounds closer to the fluid playfulness of Ornette Coleman. His ...
New Jazz Series at Olive's, in Nyack, NY
After a successful two and a half year run, the weekly jazz series at Riverspace Arts in Nyack has been cancelled due to cost-saving programming cuts. The series sponsor, Rockland County Jazz and Blues Society is moving the community jazz series across the street to Olive's (118 Main St., Nyack, NY). The new series starts at ...
Jason Rigby: The Sage
by J Hunter
When purists maintain their Cheney-like insistence that nobody could have foreseen Miles Davis recording something as incendiary as Bitches Brew (Columbia, 1969), they reveal a blind spot the size of the Chrysler Building. The pre-Brew signs were as plain as the glasses on Stanley Crouch's face: First there was Filles de Kilimanjaro (Columbia, 1968), which codified ...
