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5

Article: Album Review

Corey Christiansen: Lone Prairie

Read "Lone Prairie" reviewed by C. Michael Bailey


Guitarist Corey Christiansen has released two previous recordings on the Origin label in Roll With It (2008) and Outlaw Tractor (2010). Both were well received and featured Christiansen's ethereal playing, characterized by a deep reverb beneath a slightly overdriven tone. These recordings are uniformly fine, but generally lacked a thematic center (not that one was required). ...

3

Article: Album Review

Nicola Milan: Forbidden Moments

Read "Forbidden Moments" reviewed by C. Michael Bailey


It should be no wonder that Australia produces musicians whose art reflects a broad blend of the Northern and Southern Hemispheres. Perth native Nicola Milan refers to the genre to which her brand of music belongs, Australasian jazz, and her own pedigree as Welsh/Anglo-Indian. That is every bit as exotic and humidly appealing as the self-description ...

7

Article: Bailey's Bundles

The Little and Big of Florian Ross

Read "The Little and Big of Florian Ross" reviewed by C. Michael Bailey


German pianist/composer Florian Ross has been making provocative music since his early Naxos Jazz recordings. He is a rolling stone, moving from one format to the next, always bringing something new and leaving something newer. Florian Ross Elektrio Wheels and Wires Fuhrwerk- Musik 2013 The organ trio, ...

5

Article: Album Review

Mercedes Nicole: Beautiful Alignment

Read "Beautiful Alignment" reviewed by C. Michael Bailey


Billie Holiday, Ella Fitzgerald, Sarah Vaughn and Nina Simone all make appearances in the biography of Seattle-based singer Mercedes Nicole. She has been a creative face in jazz since the turn of the century, writing, producing and performing tributes to Simone, Etta James, and Dinah Washington. With Beautiful Alignment, Nicole debuts on disc with a collection ...

8

Article: Album Review

Young-Ae Jung: The Man I Love

Read "The Man I Love" reviewed by C. Michael Bailey


Korean, Berklee-educated singer Young-Ae Jung has a very specific vision for the jazz she wishes to make. The original pieces are of the same “grown-up" variety, as singer Louis Van-Aarsen populated her fine recording Destiny (Self Produced, 2012). Jung's imagery has completely matured. The standards with which the singer peppers the originals on her début recording ...

5

Article: Album Review

Bob Dorough: Duets

Read "Duets" reviewed by C. Michael Bailey


Is vocalist/pianist/composer Bob Dorough the Mose Allison of Cherry Hill, Arkansas or is Mose Allison the Bob Dorough of Tippo, Mississippi? The two are famously linked by geographic origin: the country South, time period: '50s to the present, and vocation: singing, songwriting jazzmen. The two also share timeless voices, full of Southern dry dust and humus. ...

13

Article: Album Review

Angela Davis: The Art of The Melody

Read "The Art of The Melody" reviewed by C. Michael Bailey


Saxophonist and All About Jazz contributor Angela Davis has made it official, releasing her debut recording, The Art of The Melody. Davis joins a growing legion of female reeds players that includes Sharel Cassity, Alisha Pattillo, Virginia Mayhew, Claire Daly, and Mercedes Figueras, who are flexing their respective chops in the ravenous particles of digital music.

4

Article: Extended Analysis

Some of my Best Friends are... Divas

Read "Some of my Best Friends are... Divas" reviewed by C. Michael Bailey


Bassist Ray Brown did a “Some Of My Best Friends Are..." series of recordings for Teldec shortly before his abrupt death in 2002. That bassist Colin Trusedell has chosen the same theme for his leader debut Some Of My Best Friends Are...Divas is the most auspicious thing about his release. What makes this disc one of ...

3

Article: Album Review

Jeff Williams: The Listener

Read "The Listener" reviewed by C. Michael Bailey


It may be a poor-man's explanation, but here it goes: bebop begat hard bop begat the freer post-bop. Free jazz emerged among them. What next? Jeff Williams' The Listener. The greater freedom of post bop compared to its predecessor is given more freedom, but not so much that the music descends into the ravenous particles of ...

5

Article: Album Review

John O'Gallagher: The Anton Webern Project

Read "The Anton Webern Project" reviewed by C. Michael Bailey


Here's to avant-garde jazz. Unruly and ill-behaved, the seeds planted by saxophonists Ornette Coleman and John Coltrane, and carried forward by reed multi-instrumentalist Anthony Braxton and melded with trumpeter Miles Davis's Post-bop, gave rise to a brand of jazz that, while not the complete chaos of free jazz, nevertheless possessed such an inventive spirit that begged ...


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