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Ed Reed: Ed Reed - I'm A Shy Guy: A Tribute to the King Cole Trio & Their Music
by C. Michael Bailey
San Francisco vocalist Ed Reed is a bona fide contemporary of West Coast jazz luminaries: Art Pepper, Frank Morgan, Dexter Gordon, Wardell Gray and Hampton Hawes. Unlike that august group, Reed remains to tell his story, and by proxy, theirs' in the bargain. Like this same group, drugs (and in the case of Gray, murder) suspended ...
Skip Heller: Songs With Memories: Skip Heller and Friends Play Floyd Tillman
by C. Michael Bailey
It would be oh so tempting to say the music impresario Skip Heller has found his niche with Songs With Memories: Skip Heller and Friends Play Floyd Tillman but with his next recording, more likely than not, he would prove that statement ludicrous. Heller's 2012 Fakebook II: That's Entertainment (Weatherbird) was a sequel to his 2004 ...
Carol Morgan: Retroactive
by C. Michael Bailey
After two well-behaved, straight-ahead, and positively reviewed recordings-- Opening (Blue Bamboo Music, 2010) and Blue Glass Music (Blue Bamboo Music, 2011)--Texas-cum-New York City trumpeter Carol Morgan decides to take a walk on a wilder side with Retroactive: a mostly electronic affair prominently featuring guitarists Mike Stern and Chris Cortez as well as one Jeff Sipe (Apt. ...
Tierney Sutton: After Blue
by C. Michael Bailey
Tierney Sutton is the calm current flowing through the turbulent water of jazz vocals, making big changes and important recordings without stirring the water too much. Her creative presence and influence cannot be denied when listening to Gretchen Parlato, Becca Stevens and Renee Yoxon among many others. Sutton's musical metaphysics is grounded in cool yet penetrating ...
Dizzy Gillespie: Dizzy’s Big 4
by C. Michael Bailey
Dizzy Gillespie Dizzy's Big 4 OJC 1975/2013 Concord Music Group kicked off their Pablo Records 40th anniversary celebration with the releases of John Coltrane: Afro Blue Impressions (Pablo, 1963/2013) and Sarah Vaughan: Sophisticated Lady: The Duke Ellington Songbook (Pablo,2013) both supplemented by improved programming. These releases have been followed by ...
Art Tatum: Solo Masterpieces, Volume One
by C. Michael Bailey
Art TatumSolo Masterpieces, Volume OneOJC1975/2013 If blues icon Robert Johnson is a phantom, then pianist Art Tatum is a myth. In spite of James Lester's 1995 biography Too Marvelous For Words: The Life and Genius of Art Tatum (Oxford University Press, 1995), little is known of Tatum, ...
The Jazz Coin: Scott Hamilton & John Escreet
by C. Michael Bailey
Twenty-first century jazz has a greater breadth and depth than any time previously. Granularity in jazz genre has become so reduced that genre designations are almost meaningless. In jazz, we are approaching a time when jazz will no longer be “jazz" but music in the most liberal sense of the word. But, until that time, we ...
Zoot Sims And The Gershwin Brothers
by C. Michael Bailey
Zoot SimsZoot Sims And The Gershwin BrothersOJC1975/2013 The Concord Music Group inaugurated their celebration of the 40th anniversary of Norman Granz's Pablo Records with the releases of John Coltrane: Afro Blue Impressions (Pablo, 1963/2013) and Sarah Vaughan-- Sophisticated Lady: The Duke Ellington Songbook (Pablo,2013). These releases are ...
Chris Thile: Chris Thile: Bach - Sonatas & Partitas
by C. Michael Bailey
At first blush, Bach's Sonatas and Partitas for Solo Violin played on the humble mandolin might be akin to making a Rusty Nail with single-malt scotch. A successful performance will require, at the very least, great virtuosity and vision: both of which Chris Thile possesses in impressive amounts. Banjoist Bela Fleck's superb 2001 recording Perpetual Motion ...
Heleen van den Hombergh: Going Dutch
by C. Michael Bailey
Dutch vocalist Heleen van den Hombergh has released bookend recordings, Rush In The Woods (2004) and Way Back Home (2011). In between, life intervened, as it often will, coloring the second release considerably different from the first. Hombergh's singing and composition remain organic and compelling over the whole course, offering a glimpse at an artist at ...
