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148

Article: Album Review

Delbert McClinton: Nothing Personal

Read "Nothing Personal" reviewed by C. Michael Bailey

by C. Michael Bailey

Delbert McClinton returns to the studio for the first time in three years for a new label and serves up the same old thing—the most informed and honest bastard child of country music and blues one could hope for. I saw Delbert McClinton at the now defunct Little Roxy in Little Rock, Arkansas in the exceptionally ...

176

Article: Album Review

Pietro Condorelli: Quasimodo

Read "Quasimodo" reviewed by C. Michael Bailey

by C. Michael Bailey

Italian jazz guitar form Sergio Veschi and his stable of local talent. Some music sounds absolutely effortless. Quasimodo is a collection of such music. The opener “No Blues" sounds as if the musicians picked up their instruments and began playing in mid-thought—all of them having the same thought at the same time. Pietro Condorelli's guitar style ...

254

Article: Album Review

Freddie Hubbard: Fastball

Read "Fastball" reviewed by C. Michael Bailey

by C. Michael Bailey

More Live at the Left Bank from the Hard Bop Trumpeting Dream, Freddie Hubbard. Recorded April 23, 1967, this Freddie Hubbard recital offers an extended look at the trumpet wunderkind during a recording transitional period. Hubbard was just following his recording for Blue Note (with The Night of the Cookers: Live at Club La Marchal, Vols. ...

156

Article: Album Review

Martin Sasse Trio: Here We Come

Read "Here We Come" reviewed by C. Michael Bailey

by C. Michael Bailey

Trio Art from Hamburg. Could it be that the enormous shoes left empty by the recent death of pianist Gene Harris are going to be at least partially filled? After listening to Martin Sasse's “Groove Machine", Here We Come, one would have to think so. Sasse's first date as a leader, Here We Come, provides a ...

147

Article: Album Review

Sonny Landreth: Levee Town

Read "Levee Town" reviewed by C. Michael Bailey

by C. Michael Bailey

For slide guitar enthusiasts, it doesn't get any better than this. It is interesting that the finest slide guitarist playing would use a Louisiana Zydeco fare to display his considerable talent rather than its Mississippi cousin, the Blues, but that is exactly what Sonny Landreth does. In the same way that Jimi Hendrix goosed the evolution ...

134

Article: Album Review

The Winners: Live at the Dolder Grand Hotel, Zurich

Read "Live at the Dolder Grand Hotel, Zurich" reviewed by C. Michael Bailey

by C. Michael Bailey

A humble little recording that absolutely burns so bright the listener must hide his eyes. The Montreux Jazz Label has made a name for itself in releasing solid, straight ahead jazz. Live at the Dolder Grand Hotel, Zurich is no exception. This release quietly allows Swiss trumpeter Franco Ambrosetti and his cohorts to produce Jazz firmly ...

234

Article: Album Review

Rebecca Parris: My Foolish Heart

Read "My Foolish Heart" reviewed by C. Michael Bailey

by C. Michael Bailey

Rebecca Parris gives a masters class in singing ballads very slow and very well. Miles Davis once heard Shirley Horn perform a ballad that had been in his band's book for many years. He said in that sandpaper voice of his, “Man, you sing that so slow." On My Foolish Heart, ...

97

Article: Album Review

UMO Jazz Orchestra: Transit People

Read "Transit People" reviewed by C. Michael Bailey

by C. Michael Bailey

The spirit of John Coltrane shines brightly through the UMO Jazz Orchestra. The UMO Jazz orchestra made their Naxos Jazz debut among the first six releases from the new label in 1998 with their self-titled disc ( UMO Orchestra, Naxos Jazz 86010). The orchestra performed a bright progressive type of big band jazz that listeners have ...

147

Article: Album Review

Chuck Zeuren: Why Not??

Read "Why Not??" reviewed by C. Michael Bailey

by C. Michael Bailey

Fast and sleek neo-bop from Italy. Slickly, craggy and Wayne Shorter and Lee Morganesque is how to describe drummer Chuck Zeuren's new sextet recording, Why Not??. Zeuren lays down the underpinning for the Trumpet-Tenor front of Shunzo Ono and Dave Finucane, respectively, and never lets up. The playing is upbeat and solid, even on ballads like ...

191

Article: Album Review

Ken Watters Group: Southern Exposure

Read "Southern Exposure" reviewed by C. Michael Bailey

by C. Michael Bailey

Sans Brother Harry, Trumpeter Ken Watters steps out with his working quartet and burns his way through a collection of originals, standards, and some surprises. After two recordings with trombonist brother Harry, Trumpeter Ken Watters brings his working quartet into the studio, where he produces his strongest musical statement yet. The previous Watters' offerings, Brothers (Summit ...


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