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The Evan Moore Quartet: Little Rock, March 5, 2011
by C. Michael Bailey
The Evan Moore Quartet Featuring Brittany CampbellJerry B'sLittle Rock, ArkansasMarch 5, 2011 Few will mistake Little Rock, Arkansas for a jazz mecca. The city was not the jazz hotbed that Kansas City and Memphis were. but that does not mean that there is no jazz in the city. In the ...
Dan Wilensky: To Whom Much is Given...
by C. Michael Bailey
Tenor saxophonist Dan Wilensky is a Renaissance Man and an educator, both facets of his character evidenced in his musicians' guide, Musician!, and the album If You Only Knew. What Wilensky provides over these two offerings is a masterclass in tasteful and well-behaved musicianship in the real world. No booze- swilling or reefer madness here, only ...
Placido Domingo, The Chicago Symphony Orchesta and Chorus, Daniel Barenboim: Berlioz: Symphonie Fantastique - La Marseillaise
by C. Michael Bailey
There was no one man in the French Romantic Movement more hot-blooded than composer Hector Berlioz (1803-1869). Proficient in no particular instrument, Berlioz's talent lay in composition, arrangement, and conducting. The entire orchestra was his instrument. Learned, erudite, and all around sanguine wild man, Berlioz existed in the rarefied company of other great Romanticists including Liszt, ...
Mark Isaacs Resurgence Band: Aurora
by C. Michael Bailey
The last artistic musical movement in jazz to be given a meaningful name was the post-bop movement. Arising out of the mid-1960s as a unifying response to hard bop, modal, the avant-garde and free jazz, post-bop has fairly well dominated the most creative jazz made in the last 30 years. If post-bop has a ground zero, ...
Hristo Vitchev Quintet: The Perperikon Suite
by C. Michael Bailey
The San Francisco Bay Area is harboring a musical danger in Bulgarian guitarist Hristo Vitchev. The danger is production of germane, even compelling modern jazz that engages and warrants attention. As styles and genres become less relevant, the direction Vitchev initiated with his quartet recording, Songs of Messambria (First Orbit Sounds, 2009), and duet release, Secrets ...
Mort Weiss: Mort Weiss Meets Bill Cunliffe
by C. Michael Bailey
If it is a Mort Weiss recording, bebop cannot be very far away. Competent bop clarinetists are as scarce as hen's teeth, the most critically accepted being Tony Scott, Buddy Defranco and Weiss. Weiss' most recent recordings, Mort Weiss Meets Sam Most (SMS Jazz, 2006) and B3 and Me (SMS Jazz, 2006), reflect his solid bop ...
Marty Williams: Long Time Comin'
by C. Michael Bailey
Bay Area fixture Marty Williams does not have a pretty singing voice. It doesn't need to be because it is a commanding one--readily identifiable, friendly, accessible and honest. and worth much more than being pretty. Doubly talented, Williams has a piano style right out of the righteous songbook of Junior Mance, Les McCann, and Gene Harris, ...
Michael William Gilbert: I Can See From Here
by C. Michael Bailey
If the NPR radio show, Hearts of Space, were hipper and less ambient, it would fall over itself playing Michael William Gilbert's I Can See From Here. The recording is a 14-part suite, made up of Gilbert compositions synthetically prepared by the composer. Gilbert plays all instruments--that is, synthesizer, computer samples and loops, as well as ...
Lisa Lindsley: Every Time We Say Goodbye
by C. Michael Bailey
The jazz vocals standard repertoire is a durable one because it is populated with well-conceived and finely-crafted songs from the Great American Songbook. Of equal importance are the song's lyrics, cleverly constructed, and the melody, hook-filled. This song collection exists as a mountain to be climbed by any singer who believes him- or herself capable, willing ...
Cuong Vu 4-Tet: Leaps of Faith
by C. Michael Bailey
The order and presentation of music on a recording or in a recital are every bit as important in the music producer's skill set as is choosing what music to include. Had trumpeter Cuong Vu introduced his Vu-Tet's Leaps of Faith with the title piece, or “Child-Like (for Vina)," it would have been easy to dismiss ...
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