Results for "Byard Lancaster"
Byard Lancaster
Born William Byard Lancaster, 6 August 1942, Philadelphia, Pennsylvania, USA, multi-instrumentalist Lancaster (alto, tenor and soprano saxophones, flutes, clarinets, piano) was, with Sonny Sharrock, Dave Burrell and Eric Gravatt, part of a second generation of African-American "new jazz" players who viewed themselves as John Coltrane's spiritual heirs or "John's Children" as the title of an early Lancaster band song (written by Sharrock) insisted, committed to the same "healing" energies inherent in the jubilant scream. Lancaster identified with secular screams, hence the motto on his business cards: From A Love Supreme To The Sex Machine And All In Between
Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums
With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...
2019: The Year in Jazz
The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...
Philadelphia's Dogtown Records Reissues Sounds Of Liberation's Debut 1972 LP, 'Sounds Of Liberation,' In Collaboration With Brewerytown Beats Records — Available Now on Vinyl!
Sounds of Liberation was a band —and a social movement—formed in of the Germantown & Mt Airy neighborhoods of Philadelphia in 1970. The group consisted of seven members: Khan Jamal (vibraphone), Byard Lancaster (alto saxophone), Billy Mills (bass), Dwight James (drums), Monnette Sudler (guitar), Omar Hill (percussion), and Rashid Salim (percussion). Originally conceived and formed by ...
Trombonist Robin Eubanks Releases "More Than Meets The Ear," A Groundbreaking Big Band Album By Eubank’s Mass Line Big Band Out November 27, 2015
Multiple DownBeat critics poll winner and electric trombone pioneer Robin Eubanks has covered vast terrain in the course of a 30-plus-year career, but until this year he’d never made a big band album. That changes with the release of More than Meets the Ear (ArtistShare), a groundbreaking collection of Eubanks’ muscular, interwoven compositions. And it introduces ...
Support Jazz in Philadelphia... Win a Tablet!
Since the Fall of 2014, Philadelphia Jazz Project and our partner, Jazz Near You / All About Jazz have been engaged in a campaign to remind Jazz fans of the vibrancy of the music, as well as introduce new audience members to the wonders of Jazz & Grown Folks Music. Our goal is to develop a ...
Jaleel Shaw: Philly Soul
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ] Jaleel Shaw has been one of my favorite young alto players for about a decade. We first played together with the Charles Mingus Band, and we kept in touch over the years. I've worked a few times in his ...
Monnette Sudler: Daring To Dream
She's not working. She's too sick. And it hurts to the bone that she can't play the way she used to because she has Idiopathic Pulmonary Fibrosis (IPF) lung disease and is waiting for a lung transplant. Nobody knows what causes this scarring and stiffening of the lung tissue, hence the idiopathic part of the name, ...
Byard Lancaster, 70, Famed Phila. Jazz Musician
Byard Lancaster, 70, the Philadelphia jazz musician who earned an international reputation as an avant-garde musical explorer in the 1960s and 1970s, died of cancer Thursday, Aug. 23, at KeystoneCare in Wyndmoor, according to his sister, Mary Ann Lancaster Tyler. In the decades that followed his early fame, he became a local institution, playing saxophone and ...
Byard Lancaster: From A Love Supreme to The Sex Machine
[ Editor's Note: This 2005 article was reprinted in memory of Byard Lancaster who died on August 23, 2012. ] “From A Love Supreme to The Sex Machine" is reedman Byard Lancaster's personal aesthetic mantra, something that recalls the theme of the Charles Moffett tune “Avant-garde Got Soul Too." Free ...
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