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Buster Williams "Something More" Trio at the Philadelphia Museum of Art - May 21, 2010
Legendary bassist Buster Williams leads his “Something More" trio - featuring pianist Mike LeDonne and drummer EJ Strickland in a performance at the Philadelphia Museum of Art on Friday, May 21 at 5:00 p.m. The event is free after the price of museum admission. Praised by Jazztimes for “the beauty of his tone and sound, along ...
Craig Handy: The Busiest Man In Jazz
by Robert Dugan
Saxophonist Craig Handy is a musician's musician. Those “in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser—expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set ...
Todd Barkan: Continuation and Augmentation
by Wayne Zade
Todd Barkan has been one of the most important and versatile producers of jazz concerts and records around the globe for almost 30 years. The list of artists whose projects he has produced reads like a veritable Who's Who of jazz. Barkan has managed many artists, including the Boys Choir of Harlem, Chico O'Farrill and Freddy ...
Cedar Walton: Voices Deep Within
by Russ Musto
Since 2001, Cedar Walton's regular excursions into Rudy Van Gelder's legendary Englewood Cliffs studio for the HighNote label have consistently resulted in some of this century's finest mainstream jazz recordings. On Voices Deep Within he continues the tradition, once again demonstrating the vitality and endurance of (t)his music. Despite his ever growing popularity and critical acclaim ...
Gregory Thomas: Ain't But a Few of Us
by Willard Jenkins
Like most of the participants in our ongoing dialogue with African American music writers, Gregory Thomas has both feet and hands in several camps. Thomas' byline has been featured in numerous publications, including Salon.com, Guardian Observer (London), American Legacy, Africana.com, BlackAmericaWeb.com, Daily News (New York, NY), TBWT.com, Callaloo, The Village Voice, and others. He was the ...
Christian McBride: Getting the Inside Straight
by Esther Berlanga-Ryan
If we think about it for a little while, it's possible to believe that there is something almost mystic and undeniably powerful about jazz. The way it developed through the years and its constant ignition-like energy; the creativity of those who lead the way and those who continue the journey today; the improvisation that takes over ...
Omar Sosa, Jimmy Cobb y Chano Domínguez, 'Kind of Blue' en el festival de Barcelona (V)
by Roan Clay
En 2009 se celebra el 50 aniversario de Kind of Blue, un disco que para la mayoría de la gente es el símbolo del jazz. Publicado originalmente en agosto de 1959, el disco más influyente del jazz es también el más vendido, con millones de ejemplares en todo el mundo y cuatro discos de platino (4 ...
Omar Sosa, Jimmy Cobb and Chano Domínguez, 'Kind of Blue' variations at the Barcelona Jazz Festival (V)
by Roan Clay
In 2009 Kind of Blue, the album that symbolizes jazz music for more people the world over turned an astounding 50 years old. Originally released in August 1959, jazz' most influential album is also its best seller ever; having sold untold millions of copies worldwide, it's turned quadruple platinum (4 million copies) in the US alone. ...
Enjoy Jazz Festival: Days 7-10, October 26-29, 2009
by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 The main purpose of visiting the Heidelberg/Mannheim/Ludwigshafen region may be for the music, but during the day there's plenty to see and do. Wandering around the old part of Heidelberg, it's difficult not to be moved by the profound sense of age, especially coming ...
Fred Hersch: No Limits
by Maxwell Chandler
From the start of his career as a sideman in the 1970s for such jazz luminaries as Joe Henderson, Art Farmer and Stan Getz to his own ensembles and solo projects, there has always been a great diversity and intensity to Fred Hersch's art. Having won a Guggenheim Memorial Fellowship for composition (2003) and having been ...
