Home » Search Center » Results: Building a Jazz Library
Results for "Building a Jazz Library"
John Scofield As A Sideman: The Best Of…
by Ian Patterson
John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Shining A Light On Pianist Ron Thomas
by Dan McClenaghan
Pianist / composer Ron Thomas (b. 1942), was introduced to the piano by his father, Buddy, a self-taught player who learned the art of the ivories by analyzing piano roll performances. Ron was, according to his biography, three or four years old at the time. Those early lessons took root, and then along came Marilyn Monroe. ...
Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums
by Chris May
Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...
Drummers as Bandleaders: An Alternative Top Ten Albums
by Chris May
Drummers have been key members of every band which has changed the course of jazz history, from Max Roach with Charlie Parker to Elvin Jones with John Coltrane and onwards. Yet drummers have been the leaders of a surprisingly small proportion of landmark bands themselves. Chick Webb in the 1920s was the first of the few. ...
Afrobeat: An Alternative Top Ten
by Chris May
It would be hard if not impossible to compile an Afrobeat Top Ten which was not wholly made up of Fela Anikulapo Kuti albums. Such was Kuti's centrality in the creation and development of Afrobeat, such was the productivity of his recording career--his catalogue totals more than fifty albums, not counting reissues and compilations--and such was ...
Hard Bop: An Alternative Top Ten
by Chris May
Hard bop was the jazz centre of the world from the mid 1950s to the mid 1960s, producing many hundreds of immortal albums. Trying to whittle these down to a definitive Top Ten is fun--but it is a subjective and ultimately impossible exercise. In an attempt to dodge those hurdles, the list which ...
AACM: Together We Are Stronger
by Chris May
With the passing in 2017 of the pianist Muhal Richard Abrams and trumpeter Phil Cohran, the Association for the Advancement of Creative Musicians, formed in Chicago in 1965, lost the last two of the four musicians who organised its inaugural meeting. But with two succeeding generations of standard bearers stepping up to the plate, the AACM ...
Strata-East: Seizing the Time
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
The Ten Most Essential Art Farmer Albums
by Peter J. Hoetjes
Bassist Keter Betts, who played with Art Farmer briefly during the 1970s, described him best: “He was a gentleman's trumpet player, not a rebel trumpet player." At 25 years of age, Farmer was given the opportunity to travel Europe with Lionel Hampton's jazz band. He had spent the past few years wandering Los Angeles ...
