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About Buddy Collette
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Buddy Collette
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When it comes to unsung jazz heroes, Buddy Collette's talents on tenor saxophone, flute, and clarinet are as close to unmatched as it gets. A gifted composer of classical music in addition to his jazz pedigree, Collette continues to fly almost defiantly under the radar of greater renown. William Marcel Collette was born on August 6, 1921 in the Watts district of Los Angeles. Along with saxophonist Dexter Gordon bassist Charles Mingus, and drummer Chico Hamilton, he helped keep bebop alive in the city's historic Central Avenue neighborhood. Buddy also played an important role with the development of the cool jazz movement
James Newton Quartet: Live in Willisau
by Giuseppe Segala
Ecco una pubblicazione molto opportuna, a favore di un musicista il cui lavoro è assai poco documentato. Ne fotografa un momento iniziale, immerso nel campo del jazz, dentro un percorso che, nell'arco di oltre cinquant'anni, ha successivamente toccato tappe di molteplice orientamento, sviluppandosi nella musica accademica contemporanea, per orchestra e da camera, per balletto e danza ...
Backgrounder: Buddy Collette - Man of Many Parts
West Coast jazz in the 1950s wasn't exclusively a white enterprise. There was a significant number of black jazz artists in Los Angeles then as well who played in the breezy, contrapuntal style. But in the late 1940s and early '50s, black jazz artists were largely isolated as a result of the segregated locals of the ...
Backgrounder: Buddy Collette's Swinging Shepherds
One of the finest jazz flute albums is Buddy Collette's Swinging Shepherds (and the followup, At the Cinema). Recorded in Los Angeles in March 1958, the album for EmArcy was arranged mostly by Pete Rugolo and featured Buddy Collette and Paul Horn (fl); Harry Klee (pic,fl); Shank (pic,fl); Bill Miller (p); Joe Comfort (b) and Bill ...
Rudy Royston & Flatbed Buggy: DAY
by Dan McClenaghan
Drummer Rudy Royston debuted his group Flatbed Buggy in 2018, with the eponymous Greenleaf Records release. It had the feeling of a jazz-folk chamber group. With its unusual instrumentation--Gary Versace's accordion, Hank Roberts' cello, and John Ellis' bass clarinet joining Royston's drums and Joe Martin's bass--a laid-back and engaging Americana vibe emerged. The follow-up, ...
Banding Together Against Segregation in Los Angeles
by Eve Goldberg
Once upon a time, jazz musicians in Los Angeles led a groundbreaking struggle for racial justice and economic opportunity that sent ripples of change across the country. Most of us are aware of the seminal names and events of the civil rights era: Rosa Parks spearheading the Montgomery bus boycott; Martin Luther King leading ...
Toldam, Riedel, Berg, Wiklund, Christensen: Tak for dit brev
by Alberto Bazzurro
Quarantadue anni, danese, il pianista (qui anche occasionalmente clarinettista) Simon Toldam dirige in questo ragguardevole album un quintetto dalla struttura eminentemente cameristica che non può non rimandare a più o meno remoti lavori di Jimmy Giuffre e di un certo cenacolo (Shorty Rogers, Shelly Manne, Ralph Peña, Buddy Collette, Bud Shank, ecc.) che a partire dalla ...
Margie Evans, Iconic And Sophisticated Queen Of The Blues, Dies At 81
Margie Evans, a legendary, international Blues and Gospel entertainer, songwriter, music producer, actress, music historian, community activist and motivational spokeswoman, who broke barriers for African American female Blues performers with poise, dignity and sophistication, died on March 19, 2021. In addition to her musicianship, Evans is noted as an activist for parity in music education as ...
Drummers as Bandleaders: An Alternative Top Ten Albums
by Chris May
Drummers have been key members of every band which has changed the course of jazz history, from Max Roach with Charlie Parker to Elvin Jones with John Coltrane and onwards. Yet drummers have been the leaders of a surprisingly small proportion of landmark bands themselves. Chick Webb in the 1920s was the first of the few. ...
Rez Abbasi: A Throw Of Dice
by Dan McClenaghan
Rez Abbasi has written a score for a 1929 movie—not an everyday jazz endeavor, but that is what the guitarist/composer does with his thirteenth recording. This after-the-fact soundtrack composing, though rare, is not unprecedented. In 2015 guitarist Aram Bajakian wrote and self produced a recording--an unofficial soundtrack--to the 1969 Soviet film The Color Of Pomegranates, an ...
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