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4

Article: Album Review

Satoko Fujii Orchestra Berlin: Ichigo Ichie

Read "Ichigo Ichie" reviewed by Budd Kopman


The huge dual drum opening of part 1 of the title piece is a clear signal that with Ichigo Ichie, pianist/composer/conductor Satoko Fujii is not going to hold back when introducing her latest orchestral group of Berlin (which she now calls home). Orchestra Berlin is Fujii's fifth such group (after creating and recording with orchestras in ...

4

Article: Album Review

John Clark: The Odd Couple Quintet +1

Read "The Odd Couple Quintet +1" reviewed by Budd Kopman


Yes, it is true that French horn and bassoon are not commonplace instruments in jazz. Attempts have been made to use them, of course, most recently by Julian Schneemann on Roundabout, but in that work, they were used more as colors in the mix.What is unusual is for these instruments to be in the ...

8

Article: Album Review

Ikarus: Echo

Read "Echo" reviewed by Budd Kopman


Music has the extraordinary power to alter time and space for its duration, as well as being used to arouse emotions. The terms “abstract" and “concrete" are often used to describe particular music in a way that is widely understood, and yet the actual definitions remain elusive. Echo, from the band Ikarus, contains music ...

3

Article: Album Review

Romain Vuilleman: Swinging In Paris

Read "Swinging In Paris" reviewed by Budd Kopman


Anyone who needs a lift from current state of the world could do much worse than popping Swinging In Paris into the player and be transported back to the late 1930s and Django Reinhardt's Quintette du Hot Club de France. Guitarist Romain Vuillemin's quartet (guitarist Stephan Nguyen, violinist Guillaume Singer and bassist Jeremie Arranger) ...

2

Article: Album Review

RelativE ResonancE: RelativE ResonancE

Read "RelativE ResonancE" reviewed by Budd Kopman


With RelativE ResonancE, composer and drummer Devin Gray has staked out new, exciting and different territory than that explored in his highly acclaimed previous album, Dirigo Rataplan. Whereas the earlier band (saxophonist Ellery Eskelin, trumpeter Dave Ballou and bassist Michael Formanek) emphasized improvisation within group and compositional boundaries, the music for the new group ...

22

Article: Album Review

Julian Schneemann: Roundabout

Read "Roundabout" reviewed by Budd Kopman


Pianist, composer and arranger Julian Schneemann must be given credit for his extreme ambition in the creation of his wonderful debut recording, Roundabout. Not only does he mix French horn and bassoon with the more “normal" jazz instruments to get a sound one does not often hear, he has mixed “classical" music with “jazz" ...

7

Article: Album Review

Satoko Fujii Tobira: Yamiyo Ni Karasu

Read "Yamiyo Ni Karasu" reviewed by Budd Kopman


If it were possible to give ten stars to Yamiyo Ni Karasu, it would deserve every single one for its power, inventiveness and the sheer ecstasy of creation in the moment. Pianist, composer, improviser and overall whirlwind Satoko Fujii returns to once again to lead a quartet, Tobira, which was built from New Trio ...

23

Article: Album Review

Deep Tone Project: Flow

Read "Flow" reviewed by Budd Kopman


Flow might just be the perfect record for late-night, candle light-and-wine listening with that special someone. As the music comes out of the speakers, it floats and softly envelops the room in deep violet, making time stop for the duration. If the group can be said have a leader, electric bassist Konstantin Ionenko would ...

1

Article: Album Review

Charles Evans: On Beauty

Read "On Beauty" reviewed by Budd Kopman


When “uncompromising" is used to describe a musician, one of the first word that usually comes to mind is “difficult," as in “difficult to understand." The musician in question puts out music which dispenses with that which the mind uses to recognize patterns: rhythm, harmony and melody. Furthermore, music which eschews euphony is invariably called “difficult." ...

4

Article: Album Review

Mareike Wiening: Crosswalk

Read "Crosswalk" reviewed by Budd Kopman


Drummer and composer Mareike Wiening is originally from Germany where she got her Bachelor of Music (University of Performing Arts, Mannheim) in 2011. She then had the opportunity to move to New York City after receiving the DAAD scholarship from Germany, enrolling at New York University where received her Master of Music degree in 2014.


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