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Daniel Schlaeppi/Marc Copland: More Essentials
by Budd Kopman
More Essentials is just that, a continuation, after much touring, of the partnership between bassist Daniel Schlaeppi and pianist Marc Copland. The extremely high standards set by its predecessor, Essentials are more than met by this second release. The structure of this release is the same as before: tunes, some more, some less well ...
Yago Vazquez/Scott Lee/Jeff Hirshfield: Stream
by Budd Kopman
The “New Talent" on the very fine Fresh Sound New Talent release, Stream, is pianist Yago Vazquez, who hails from Spain, but who moved to NYC in 2008 to study at The New School for Jazz and Contemporary Music where he graduated with honors in 2010. His band mates in this cooperative piano trio are long ...
Rich Halley 4: Eleven
by Budd Kopman
Following up on his wonderful previous release, Creating Structure, the Rich Halley quartet (Halley on tenor, trombonist Michael Vlatkovich, bassist Clyde Reed and drummer Carson Halley) strikes again with Eleven, tearing through eleven Halley compositions. The organizing factor of the previous album was how structure can arise and be perceived in music that is ...
John Abercrombie on ECM - Part 1: Through the '80s
by Budd Kopman
Now that the The First Quartet set of recordings by guitarist/composer John Abercrombie from 1979-1981 has been released, it is as good a time as any to explore Abercrombie's career on ECM as a leader/co-leader, plus some his work as a sideman. There is a famous epithet from Bill Evans: “Jazz is not a ...
Vlad West: Green Light
by Budd Kopman
Green Light finds pianist/composer Vlad West (aka Vladimir Sermakashev) working in the same mode as his previous release In My Corner, so much of the “shock of the unexpected" is gone. Furthermore, that which was shocking before (the very high level of keyboard technique, musicianship and advanced harmony, contrasting with a quite harsh electronic ...
Phil Haynes: Sanctuary
by Budd Kopman
Many musicians, at some point, acknowledge a desire that has been building within them --to create music not for anyone else, but for themselves, and, ultimately, by themselves. Obviously, this is easy for pianists, and more difficult for single-line instruments, but now much more common. Drummer/percussionists, especially in jazz, have different problems. First, of ...
Jakob Norgren Jazz Orchestra: Pathfinding
by Budd Kopman
One look into the eyes of composer/reed man Jakob Norgren tells you that he is an extremely purposeful, self- directed and intense person. His music for his Jazz Orchestra reflects these attributes, making Pathfinding quite an aural ride. Stylistically, this music fits somewhere between Ayn Inserto's story-telling Home Away From Home and John Fedchock's ...
Kenny Wheeler/John Taylor: On The Way To Two
by Budd Kopman
Trumpeter/flugelhornist Kenny Wheeler's death in September, 2014 led to the posthumous release on ECM of the beautiful and moving Songs For Quintet. However, since 2004, Wheeler recorded on CAM Jazz label, many times with the pianist who seems to be everywhere, John Taylor, starting with the duo-recording Where Do We Go From Here?. 2005 ...
Ochion Jewell Quartet: Volk
by Budd Kopman
From the opening notes of its introductory overture, “At the End of the World, Where the Lion Weep" which leads to the improvisatory “Pathos/Logos," Volk feels like an important record with a seriousness of intent, precision of execution combined with emotional depth and breadth. A vast sound scape is opened into which we peer, quickly followed ...
Two Releases From Wolfgang Seligo
by Budd Kopman
Below are two releases from pianist Wolfgang Seligo, who has eclectic influences, boundless energy and technique, with a flair for self-promotion in the best sense. Wolfgang SeligoWolfgang Seligo Jazz Trio Self Published 2015 The four tracks presented here, all composed by Seligo and totaling under ...
