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11

Article: We Travel the Spaceways

Before We Say Goodbye To 2012

Read "Before We Say Goodbye To 2012" reviewed by Mark Corroto


In consumer culture, where we are all guilty of looking for the next new thing, the emphasis is always on new releases, and what the next, best, super-improved product will be. It seems that even before this week's movie opens, we are being told about next week's blockbuster. Before we turn our attention fully ...

3

Article: Take Five With...

Take Five With Michael Francis Zinna

Read "Take Five With Michael Francis Zinna" reviewed by AAJ Staff


Meet Michael Francis Zinna:60 years old. Grew up in New York and Long Island. Loved the guitar the first time I heard it. Growing up in New York, jazz was all around. My first epiphany came with the great blues renaissance of the 1960s. Then I heard Wes Montgomery and people like Barney Kesseland ...

9

Article: Interview

Alexander Hawkins: Retaining The Sense of Discovery

Read "Alexander Hawkins: Retaining The Sense of Discovery" reviewed by John Sharpe


One of the fastest-rising stars of the UK jazz scene, pianist Alexander Hawkins is remarkable in that he shines equally in both the further reaches of free improvisation and the creation of ingeniously crafted charts. Indeed, Hawkins' particular talent might be in bringing the two so close that it's hard to distinguish between them. At times ...

10

Article: Big Band Report

Dave Brubeck: Small Groups, Large Stature

Read "Dave Brubeck: Small Groups, Large Stature" reviewed by Jack Bowers


Dave Brubeck wasn't really a big-band kinda guy; in fact, he was seldom seen in groups larger than four or five. On the other hand, he was an extraordinary musician, one whose influence will no doubt be felt for generations to come. Brubeck, who remained active almost to the end of his life, died December 5 ...

3

Article: Live Review

Paris Jazz Diary 2012

Read "Paris Jazz Diary 2012" reviewed by Patricia Myers


Paris is the New York City of the European jazz world. Any night of the week, live jazz is played somewhere in this multicultural metropolis where America's global gift is valued, venerated and celebrated. There are more than 30 live jazz venues, as well as sporadic and spontaneous performances on street corners and bridges, in Metro ...

1

News: Performance / Tour

Bassist Tyrone Brown In Kennett Square, Wednesday Dec. 5th

Bassist Tyrone Brown In Kennett Square, Wednesday Dec. 5th

Jazz Bridge in Kennett Square! presents renowned bassist Tyrone Brown appearing at Kennett Flash—102 Sycamore Alley in Kennett Square—on Wednesday, December 5th as part of his Jazz Renaissance Quartet in a special tribute to Charlie Parker and Bud Powell. Tickets are $10, $5 for students, and are available only at the door. Show time is 7:30. ...

4

Article: Album Review

Leo Volskiy: Good News Blues

Read "Good News Blues" reviewed by Chris Mosey


Saint Petersburg is Russia's jazz capital, home to Igor Butman-Bill Clinton's favorite living saxophonist, and chosen for his musical debut by none other than Vladimir “Fats" Putin. Pianist Leo Volskiy also hails from the city, but no longer lives there. After studying at the Mussorgsky College of Music and listening to local musicians at such clubs ...

13

Article: Interview

Mats Gustafsson: Share The Moment

Read "Mats Gustafsson: Share The Moment" reviewed by John Sharpe


Reedman Mats Gustafsson resides at the center of a hurricane of activity: relentlessly touring, curating festivals and begetting record labels. He boasts one of most distinctive sounds in free jazz, combining the extremes of scalp prickling howls with adventurous exploration of minimalist tone and timbre. Although he's come a long way since his early days in ...

4

Article: Bailey's Bundles

Fred Hersch and The Village Vanguard

Read "Fred Hersch and The Village Vanguard" reviewed by C. Michael Bailey


If pianist Bill Evans came after Bud Powell and Art Tatum, who came after Bill Evans? Fred Hersch did. It was from Hersch that Brad Mehldau and Ethan Iverson came as his students. Evans' language captivated jazz pianism for decades and needed evolutionary stimuli to further develop. That stimuli was provided by Hersch, who has quietly ...


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