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First, Ohm’s Law (musically)
by Marc Cohn
Starting out, a 'physics lesson' courtesy of Seamus Blake, Hank Mobley & Tain! We revive our R&B compare and contrast feature with Ivory Joe Hunter versus Jimmy Smith. Centennials? Of course: Bird and Dave Brubeck (solo)! Along the way, John Patitucci, Bud Powell, Gregory Agid and Anat Cohen, as well as our continuing chronological celebration of ...
Matthew Shipp: Poetic Connection
by Seton Hawkins
It is difficult to describe the impact of pianist and composer Matthew Shipp without descending into hyperbole. A core figure in the now-legendary David S. Ware Quartet, a bandleader with a staggering recording output, a groundbreaking curator for the influential Blues Series of Thirsty Ear Records, Matthew Shipp has also more recently broken new ...
New Faces - New Sounds
by C. Michael Bailey
Jazz is littered with musicians like Elmo Hope: young, talented and, ultimately, doomed because of racism, poverty, and chemical dependency. Born in New York City, the son of immigrants from the Caribbean, Hope managed to release more than a baker's dozen of studio recordings in as many years, before dying of drug addiction-related health problems in ...
New Faces - New Sounds
by C. Michael Bailey
The jazz name Wynton Kelly is typically associated with other artists' endeavors, such as John Coltrane's Giant Steps (Atlantic, 1959), Miles Davis' Kind of Blue (Columbia, 1959) or Wes Montgomery's Smokin' at the Half Note (Verve, 1965), just to mention three landmark recordings. While he always seemed best cast in supporting roles, Kelly did have a ...
The Touch of Your Lips, Part 2: Touch and Tone Color in Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 As mentioned in Part 1, tone color took on a prominent role in classical music in the 19C. The Romantic composers like Wagner, Strauss, Berlioz, Chopin and many others were, I think it is fair to say, somewhat obsessed with it. The composers before them were ...
Stefano Bollani: Il Gioco Della Vita
by Paolo Marra
Con istrionico disincanto Stefano Bollani rilegge, in una personale versione in Piano Solo, una delle opere rock più famose di sempre, “Jesus Christ Superstar," nel cinquantesimo anno dalla sua uscita. Il pianista in questo ultimo lavoro dal titolo Piano Variations on Jesus Christ Superstar, uscito il 3 aprile, si diverte a giocare con la materia musicale ...
René Urtreger Plays Bud Powell
Bud Powell arguably had the most significant influence on jazz pianists of the post-war modernist era. You'd have an easier time making a list of those not influenced by Powell than compiling the names of those who fell under his bebop spell. Among the most accomplished of Powell's disciples (a group that includes Al Haig, Sonny ...
Two Pianists Going Their Own Way: Carl Kennedy and Max Petersen
by Jerome Wilson
Most contemporary jazz piano players follow well-trodden paths, be it the speed and power of Bud Powell, the romantic clarity of Bill Evans or the complex abstractions of Cecil Taylor. Here are two examples of pianists who go their own ways. Carl Kennedy American Lullaby JeruJazz 2019 ...
Results for pages tagged "Bud Powell"...
Bud Powell
Born:
Bud Powell is generally considered to be the most important pianist in the history of jazz. Noted jazz writer and critic Gary Giddins, in Visions of Jazz, goes even further, saying that "Powell will be recognized as one of the most formidable creators of piano music in any time or idiom." His first recordings were made in 1944, when he was a 20 year old pianist in the Cootie Williams Band, and his last recordings were made in 1964 when he returned from several years in Europe to play at Birdland. Between those dates Bud Powell played with the greatest jazz musicians of his generation including Charlie Parker, Dizzy Gillespie, Miles Davis, Sonny Rollins, Dexter Gordon, Charlie Mingus and Max Roach
Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II
by Karl Ackermann
Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...
