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Jill McCarron Trio with Will Anderson: Jazz Motif
by Jack Bowers
Pianist Jill McCarron's latest recording, Jazz Motif, gets off to a flying start with Will Anderson's irrepressible alto saxophone setting the pace on a fiery rendition of “All God's Chillun Got Rhythm" and his radiant flute showcased on John Lewis' groovy “Concorde." Alas, Anderson isn't heard again until Tracks 7 (Clare Fischer's “Ontem a Noite") and ...
John Patitucci: The Quintessence of Acoustic and Electric
by Jim Worsley
John Patitucci had his life's work in mind at age twelve, At a time when most of us were worried about junior high school and pimples, Patitucci concluded that he was to be a professional musician. This was no typical young boy fantasy of playing center field for the Yankees, being an astronaut, or even being ...
Thelonious Monk: A Thriving Legacy
by Doug Hall
If legendary jazz musicians were collected together in one giant jigsaw puzzle and each musician was one piece—Thelonious Monk's individual piece would be impossible to cut out. As a singular artist, his shape or place in jazz is too uniquely non-conforming. From a musical and historical standpoint, he is recognized as one of the ...
Roberto Magris: Shuffling Ivories
by Edward Blanco
Pianist Roberto Magris follows up his critically-acclaimed album Suite! (JMood Records, 2018) with a duet recording with Chicago-based bassist Eric Hochberg, whom he met while recoding Suite! . Returning to the windy city in November 2019 to promote the release of Suite! , Magris and Hochberg decided to make an album of their own while enduring ...
Roberto Magris: Shuffling Ivories
by Jack Bowers
In 2018, while he was in Chicago to record his ninth album, Suite!, for JMood Records, pianist Roberto Magris was introduced by tenor saxophonist Mark Colby to bassist Eric Hochberg, an artist with whom Magris formed an almost immediate bond. After performing together at Chicago's Jazz Showcase, Magris and Hochberg decided they should record together, and ...
Ethan Iverson & Umbria Jazz Orchestra: Bud Powell in the 21st Century
by Angelo Leonardi
Da quando ha lasciato The Bad Plus l'attività di Ethan Iverson s'è sviluppata in più direzioni, passando da lavori strumentali in duo (con Mark Turner: Temporary Kings ECM 2018) o in quartetto (Common Practice ECM 2019) ad opere estese come il concerto per pianoforte con l'American Composers Orchestra (Concerto to Scale). Tra le altre cose ha ...
La Jazz Poetry di Jayne Cortez
by Maurizio Zerbo
Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connota—insieme al jazz stesso—l'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.
My Conversation with Chick Corea
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in August 1999. It would be silly for me to even attempt to pontificate on the ramifications Chick Corea has had on this music. But it should be universal that his impact has been substantial at worst. So I will let him ...
Chick Corea
by Mark Sabbatini
In memory of NEA Jazz Master Chick Corea: 1941-2021. This article was first published at All About Jazz in 2004. Pianist Chick Corea is one of the major pioneers of fusion, with his influence since the 1960s also extending to post-bop, Latin, free-form and avant-garde jazz. He is a rarity in his proficiency and ...
Benjamin Koppel: Curiosity Won't Kill This Cat
by R.J. DeLuke
Benjamin Koppel is an extraordinary Danish musician from an illustrious music family. He is all about music—of just about any kind. He's always absorbing it, discovering what there is to derive from it. A kind of restless desire to explore envelops him. He simplifies it in his own words: he's curious. It comes naturally to him. ...
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