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Bud Freeman
Born:
Lawrence "Bud" Freeman was known mainly for playing the tenor saxophone, but also able at the clarinet. His smooth and full tenor sax style with a heavy robust swing was the only strong alternative to Coleman Hawkins' harder toned approach, until the arrival of Lester Young whom Freeman had allegedly influenced [1] (although Young himself denied this, citing Frank Trumbauer as his main influence). One of the original members of the Austin High School Gang which began in 1922, Freeman played the C-melody saxophone alongside his other band members such as Jimmy McPartland and Frank Teschemacher before switching to tenor saxophone two years later
Benny Goodman, Terry Gibbs, Al Jolson, George Gershwin & Bill Charlap
by Joe Dimino
Tune in for the 894th show, a jazz-filled hour celebrating the legendary artists featured in Kosher Jammer, the latest book by London-based jazz journalist Mike Garber. This deep dive explores how the Jewish community intertwined with African-Americans and other minority groups to shape jazz into the timeless art form it is today. We kick things off ...
Dick Hyman and Austin High Revisited
In 1922, five white high-school teens started a jazz revolution. All attended Austin High School on Chicago's West Side and were mad about jazz—the jazz that came up to the city from New Orleans in 1920. That's when Prohibition led to bootlegging, organized crime, and speakeasies and clubs run by gangsters who needed exciting music to ...
Eddie Sauter: A Wider Focus
by Chris May
For many people, composer and arranger Eddie Sauter's reputation begins and ends with Stan Getz's Focus (Verve, 1962). The album is, indeed, a masterpiece. But it is only one of the pinnacles of Sauter's career, which started during the swing era. Nor is Focus Sauter's only collaboration with Getz. The partnership continued with the less widely ...
Maurizio Giammarco: Una musica che ci rende più umani
by Paolo Marra
Il sassofonista Maurizio Giammarco ha presentato 11 Gennaio in prima assoluta al Teatro Studio Borgna il suo nuovo lavoro dal titolo Only Human nell'ambito del Recording Studio, la rassegna che dà la possibilità al pubblico di assistere alla registrazione dal vivo dei dischi prodotti dell'etichetta Parco Della Musica Records. Il titolo del disco ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
Brownie Speaks At Newport! A Special Night Of Film And Music
Brownie Speaks at Newport: July 30, 2015, 7:30pm (Eve of the Newport Jazz Festival) at the Jane Pickens Theater and Event Center (49 Touro Street Street, Newport, Rhode Island 02840). Free and open to the public. “Now it’s our pleasure to present a young man who has astounded the jazz world with his amazing talent in ...
"Crazy Rhythm:" Red Nichols And His Five Pennies This Week On Riverwalk Jazz
This week on Riverwalk Jazz the Jim Cullum Jazz Band tells the story of Red Nichols and his Five Pennies, illustrated with numerous historical recordings of Nichols and the ensembles he led. The program is distributed in the US by Public Radio International. You can also drop in on a continuous stream of shows at the ...
Eddie Condon: Renaissance Man Of Jazz This Week On Riverwalk Jazz
This week on Riverwalk Jazz: photographer, author and record producer Hank O’Neal, who collaborated on Eddie Condon’s Scrapbook of Jazz talks about the Condon legacy. Eddie’s daughter Maggie Condon shares her wealth of memories. The program is distributed in the US by Public Radio International. You can also drop in on a continuous stream of shows ...
Jim Cullum Jazz Band Live From Stanford This Week On Riverwalk Jazz
This week on Riverwalk Jazz, The Jim Cullum Jazz Band presents a collection of early jazz classics from New Orleans and beyond. It's a summer concert captured live at the Stanford Jazz Workshop with Evan Christopher on clarinet. The Jim Cullum Jazz Band brings a fresh approach to its classic repertoire. The program is distributed in ...
