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Jazz Bigband Graz: Urban Folktales
by Bruce Lindsay
Despite the inherent problems of managing large numbers of musicians, funding their activities, and finding venues large enough to host ensembles of 15-plus players, the jazz big band is undergoing something of a revival. Jazz Bigband Graz, from Austria, is yet another fine ensemble from Europe, and Urban Folktales shows that imaginative new directions in big ...
Indigo Kid: Indigo Kid
by Bruce Lindsay
Indigo Kid, the eponymous debut from this UK-based quartet, is a slow burner. At first, it seems pleasant enough: strongly melodic and musically tight, with well-arranged tunes. But with each additional play the melodies get stronger and the interplay between the guitar and tenor saxophone reveals more and more depth. Third or fourth time around, the ...
George Crowley Quartet: Paper Universe
by Bruce Lindsay
There are times on Paper Universe, George Crowley's debut album, when the young saxophonist and composer sounds like he's been sitting by the side of Coleman Hawkins or Lester Young. There are times when he flies out of the speakers like he invented hard bop. Then a few minutes later he's creating long, flowing melodic lines ...
Jasper Høiby: Phronesis and a Walk in the Dark
by Bruce Lindsay
"The visuals," says bassist Jasper Høiby about his band Phronesis, “are just the icing on the cake." The music is his primary concern, but it's undeniable that Høiby's Anglo-Scandinavian trio is one of the most visually striking outfits on the European scene. There's Høiby himself: tall, slim, blond and often rather intense looking, playing his double ...
Paul Booth: Trilateral
by Bruce Lindsay
For some people the Big 4-0 is the key, for others it's the Big 5-0 or 6-0 or 7-0. For saxophonist Paul Booth it was his forthcoming 33rd birthday that proved to be a cause for reflection. As the day loomed in 2010, Booth was already thinking about a trio record with bass and drums. The ...
e.s.t.: 301
by Bruce Lindsay
Australia in January 2007, the height of summer, a time for relaxing on the beach and for taking it easy in the post-Christmas comedown--but not for the Esbjörn Svensson Trio. Hiring Sydney's Studio 301 for a couple of days, the band spent its time jamming and improvising, yielding what would seemingly be the groundbreaking trio's final ...
Nikki Iles: Hush
by Bruce Lindsay
The transatlantic band that created Hush--British pianist Nikki Iles, and American bassist Rufus Reid and drummer Jeff Williams--had never played together as a trio before their single rehearsal session on the night prior to recording at Dave Bennett's New Jersey studio in September 2010. That the album sounds like the product of years of collaboration is ...
Nikki Iles: Meditation and Collaboration
by Bruce Lindsay
Pianist and composer Nikki Iles describes herself as one of the “not- so-young-anymore generation" of British jazz musicians--a fair comment, in chronological terms, from a musician born in the mid-'60s. But more importantly, she's a musician of experience, expertise and talent, viewed with great respect by players across the world. Iles' self-description does seem to be ...
Steve Horowitz: New Monsters
by Bruce Lindsay
Old monsters? They were frightening, gargantuan, mythical beasts: fire-breathing, blood-lusting and not at all willing to put together anything close to a danceable riff. New Monsters, at least as envisioned by bassist Steve Horowitz on this Posi-Tone album, are a much more engaging bunch. There's still some fire-breathing in evidence, but the blood lust is kept ...
Phronesis: Walking Dark
by Bruce Lindsay
As the pile of talented and exciting piano trios continues to grow ever higher, it takes a very talented and exciting threesome to rise to the top and stay there. Enter Phronesis. Up on the peak with its third album--the award-winning Alive (Edition Records, 2010), Jazz Album Of The Year in both Jazzwise and Mojo magazines--the ...
