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263

Article: Album Review

Brian Lynch: 24/7

Read "24/7" reviewed by Elliott Simon


Whether it's found alongside Latin piano great Eddie Palmieri or fronting his own band, Brian Lynch's trumpet can appropriately alternate between sweet subtleties and potent power in a way that makes any tune special. That thrilling feeling is brought into the studio on 24/7. Fresh from the road, Lynch takes his working band of altoist Miguel ...

337

Article: Album Review

Brian Lynch Latin Jazz Sextet: Conclave

Read "Conclave" reviewed by Mark F. Turner


The spirit of the clave flows freely through the blood of Brian Lynch. For many years the veteran trumpeter has formed an extensive body of work flourishing in both straight-ahead and Latin jazz styles via associations with Phil Woods, Horace Silver, the Buena Vista Social Club, Eddie Palmieri, and many others. He also has worked with ...

698

Article: Interview

Brian Lynch: The Brian Lynch / Eddie Palmieri Project

Read "Brian Lynch: The Brian Lynch / Eddie Palmieri Project" reviewed by Tomas Pena


Few musicians embody the 21st Century credo as profoundly as trumpet master Brian Lynch. A respected insider within both the hard core bebop and Latin communities, he's as comfortable negotiating the complexities of clave with Afro-Caribbean pioneer Eddie Palmieri as swinging through advanced harmony with bebop master Phil Woods. Lynch has worked in recent years with ...

Album

Brian Lynch Meets Bill Charlap

Label: Sharp Nine Records
Released: 2004
Track listing: On Green Dolphin Street, Autumn Nocturne, My Heart Stood Still, Cheryl, Before the First Cup, Atras da Porta, On the Dot, Come Rain or Come Shine, Blues for Gilad.

297

Article: Multiple Reviews

Brian Lynch Meets Bill Charlap & Fuschia/Red

Read "Brian Lynch Meets Bill Charlap & Fuschia/Red" reviewed by Russ Musto


Trumpeter Brian Lynch is one of the most versatile artists in jazz today, with a pedigree that includes stints with Art Blakey, Eddie Palmieri, Horace Silver and Phil Woods, but these two discs recorded three months apart in 2003 demonstrate such a diverse spectrum of stylistic approaches that their contrasting perspectives are impressive even considering their ...

345

Article: Album Review

Brian Lynch: Brian Lynch Meets Bill Charlap

Read "Brian Lynch Meets Bill Charlap" reviewed by Michael P. Gladstone


Although the titles implies that this is the first meeting for the pianist and trumpet/flugelhornist, they did work together in the Phil Woods Quintet during the 1990s. The album is really a showcase for the two on either ballads or hard driving bebop compositions. For the sake of argument, let's say that the sixty-two minutes are ...

337

Article: Profile

Brian Lynch

Read "Brian Lynch" reviewed by AAJ Staff


For any aspiring young jazz player determined to make the move to the musical Mecca of New York City and make a living as a professional musician in the Big Apple, trumpeter Brian Lynch has some sage advice. “I think the thing about moving to place like New York, if you can make connections ...

93

Article: Interview

David Hazeltine: Milwaukee's Best Becomes One of New York's Finest

Read "David Hazeltine: Milwaukee's Best Becomes One of New York's Finest" reviewed by C. Andrew Hovan


“Writing is not an easy thing for me. I spend a lot of time getting it exactly how I want it."New York is a tough town. To be seen and heard among the scores of would-be jazz musicians you have to possess talent that is beyond the everyday and a voice that sets you ...

Album

Tribute to the Trumpet Masters

Label: Sharp Nine Records
Released: 2000
Track listing: Woody Shaw, Eclipse, Bus Stop Serenade (For K. D.), Tom Harrell, Elusive, Search For the New Land, Tribute to Blue (Mitchell), Charles Tolliver, Opening Statement

209

Article: Album Review

Brian Lynch: Tribute to the Trumpet Masters

Read "Tribute to the Trumpet Masters" reviewed by David A. Orthmann


On his third release for Sharp Nine, Brian Lynch pays tribute to several influential trumpet stylists, and in the process proves that he also belongs in this elite circle. With two exceptions, the short list of his favorites is connected with the two progenitors of the hard bop genre, Art Blakey and Horace Silver, both of ...


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