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Jim Snidero: A Tale Of Taste
by Dan Bilawsky
What's the hallmark of quality jazz? If this question was posed to a group of jazz musicians, each person would no doubt give a different answer that would speak to differences in taste. Some would lean on tradition and others might push the idea of innovation, but few, if any, would actually use taste itself as ...
"Killer" Ray Appleton: Naptown Legacy
by AAJ Italy Staff
Quanti batteristi vorrebbero un'adolescenza come quella di Killer" Ray Appleton? Nato a Indianapolis nel 1941, ha iniziato a suonare le percussioni a nove anni, formandosi in quella fervida scena musicale accanto a Freddie Hubbard, James Spaulding, Melvin Rhyne, Larry Ridley e altri protagonisti dell'hard-bop anni cinquanta. In quel periodo Indianapolis era uno dei centri propulsivi del ...
Conrad Herwig: There's Nothing Else
by Bob Kenselaar
Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expressiontheir compositions." Herwig was speaking of ...
Charles Flores: Impressions Of Graffiti
by Dan Bilawsky
No album should ever serve as a debut and a posthumously-released pièce de résistance, but such is the case with bassist Charles Flores' Impressions Of Graffiti. At the age of 40, the Grammy Award-winning bassist, who spent time working with pianist Michel Camilo, trumpeter Brian Lynch, reed master Paquito D'Rivera, drummer Dafnis Prieto, and numerous other ...
Fabrizio Sotti: The Key to Music
by Fernando Rodriguez De Mondesert
Invited to perform at the 16th edition of the Dominican Republic Jazz Festival, this past November, guitarist Fabrizio Sotti was sitting on the beach in Cabarete, along the country's north coast, when this interview took place.Sottis' most recent release, Inner Dance (E1, 2010), was almost his third release, following the guitarist's This World Upside ...
Changing of the Guard: The 33rd Annual Detroit Jazz Festival
by C. Andrew Hovan
The 33rd Annual Detroit Jazz FestivalDetroit, MichiganAugust 31- September 3, 2012They don't call it the largest free jazz festival in North America for no reason. Every Labor Day weekend in Detroit, jazz fans try to wrap their brains around the diverse and generous offerings of one of the country's most successful jazz festivals, ...
Jazz Musician of the Day: Brian Lynch
All About Jazz is celebrating Brian Lynch's birthday today! A respected insider within both the hardcore straight ahead and Latin Jazz communities, 2007 Grammy Award Winner Brian Lynch is as comfortable negotiating the complexities of clave with Afro-Caribbean pioneer Eddie Palmieri as he is swinging through advanced harmony with bebop maestro Phil Woods. A honored graduate ...
New York Youth Symphony Celebrates 50th Anniversary with Concert Series
For its 50th anniversary, The New York Youth Symphony — actually, widely admired orchestra, jazz, chamber, conducting and composing programs — will celebrate with a series of concerts featuring acclaimed alumni and friends including trombonist Wycliffe Gordon, trumpeter Brian Lynch and saxophonist Phil Woods sitting in with the NYYS jazz ensemble at Dizzy’s Club and The ...
The South Florida Jazz Orchestra: Trumpet Summit
by Edward Blanco
Following its self-titled South Florida Jazz Orchestra (MAMA Records, 2008) debut, this Miami-based big band now presents a power-infused second effort. The highly anticipated Trumpet Summit showcases several wonderful jazz trumpeters. Renowned bassist, and founder and director of the band, Chuck Bergeron was inspired to feature sounds of the trumpet after remembering all of the great ...
Take Five With Ludmil Krumov
by AAJ Staff
Meet Ludmil Krumov: Ludmil was one of my best students, and I have to say that I learned as much from him as he did form me! Brilliant, creative, soulful, intellectually probing--Ludmil has it all. The work he's doing with integrating Bulgarian rhythmic and melodic concepts into today's jazz, as well as the way ...


