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ARTICLE: RADIO

Music from new label Tao Forms

Read "Music from new label Tao Forms" reviewed by Bob Osborne

Tao Forms is a new recording label launched in Spring 2020. Drummer—improviser—composer Whit Dickey is both the creative director and executive producer of this fresh endeavour. Matthew Shipp's The Piano Equation was the label's inaugural release. It was followed by Expanding Light, which is the new work by Whit Dickey himself. The music is distributed by ...

ARTICLE: ALBUM REVIEW

From Wolves to Whales: Strandwal

Read "Strandwal" reviewed by Giuseppe Segala

Il quartetto From Wolves to Whales, nome azzeccato per un significativo incontro di quattro personalità al vertice del jazz e dell'improvvisazione contemporanea, si era già proposto nel 2015 con il CD omonimo, dopo il rodaggio di tre concerti a Manhattan e a Brooklyn nel febbraio del 2014. Il sodalizio, imperniato sulla lunga frequentazione di Nate Wooley ...

ARTICLE: RADIO

Dave Sewelson, Satoko Fujii and Tatsuya Yoshida & More

Read "Dave Sewelson, Satoko Fujii and Tatsuya Yoshida & More" reviewed by Maurice Hogue

There's a definite theme of muscular sounding saxophone in this edition of One Man's Jazz: Dave Sewelson, Steve Baczkowski, Chris Pitsiokos, Massimo Magee, Tomasz Szukalski, Marty Ehrlich, Cene Resnik, David Leon, Jonas Kullhammar and Remy Alvarez can all skronk with the best of them, and they're somewhere blowing their reeds apart throughout the music in this ...

ARTICLE: YEAR IN REVIEW

Troy Dostert's Best Releases of 2019

Read "Troy Dostert's Best Releases of 2019" reviewed by Troy Dostert

Is it jazz? Perhaps not in the narrowest sense, but each of the releases below arguably retains enough of a foothold in the tradition to justify that description. Maybe we've finally reached the point where the question no longer matters. In any case, what these artists have in common is a commitment to venturing outward in ...

ARTICLE: ALBUM REVIEW

Steve Baczkowski: Old Smoke

Read "Old Smoke" reviewed by John Sharpe

Reedman Steve Baczkowski would surely be better known had he not remained in Buffalo, NY, where he grew up and studied, as he possesses a fearsome sound. In his guise as Music Director of Hallwalls Contemporary Arts Center in his hometown, he's undoubtedly familiar with the German saxophone titan Peter Brötzmann, who is clearly an inspiration. ...

ARTICLE: ALBUM REVIEW

Dave Rempis, Brandon Lopez, Ryan Packard: The Early Bird Gets

Read "The Early Bird Gets" reviewed by Giuseppe Segala

Musicista molto attivo sulla scena fremente di Chicago, Dave Rempis si mise in luce poco più che ventenne accanto a Ken Vandermark, nel 1997, abbinando i propri sassofoni alle ance del leader nella formazione The Vandermark 5, attiva fino al 2010 con sedici lavori pubblicati soprattutto dall'etichetta Atavistic. Nel contempo, alimentò formazioni proprie o a nome ...

ARTICLE: ALBUM REVIEW

Steve Baczkowski / Brandon Lopez / Chris Corsano: Old Smoke

Read "Old Smoke" reviewed by Troy Dostert

The image on the cover says it all, a blast furnace exploding with elemental energy and heat. And it doesn't take long for the music on Old Smoke, a live release that represents the first recorded collaboration between saxophonist Steve Baczkowski, bassist Brandon Lopez and drummer Chris Corsano, to reach astonishing peaks of fiery intensity. This ...

ARTICLE: RADIO

Mick Rossi, Le Rex, & Emile Parisien

Read "Mick Rossi, Le Rex, & Emile Parisien" reviewed by Maurice Hogue

Creativity must be recognized, particularly the kind endures. The AACM (Association for the Advancement of Creative Musicians) continues this day, just as it did over 50 years ago, inspiring, pushing forward, and setting the standard for creative music. Only the players change. The premier performing group of the AACM today is the AACM Great Black Music ...

ARTICLE: RADIO

Ben Monder, Ingrid Laubrock and More

Read "Ben Monder, Ingrid Laubrock and More" reviewed by Maurice Hogue

The Dutch powerhouse quintet Spinifex included a pair of tracks imbued with Sufi traditional music of Kurdish/Iranian origin, and a Qawali traditional from Pakistan on their last recording, Amphibian Ardour; they loved the challenge of fusing those styles into their irregular structures and free jazz so much that they decided to go all in on their ...


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