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Bram Wijnands
In July 1991, the well-seasoned palate of the Kansas City Jazz community was treated to a style of entertainment not seen since the days of Count Basie and Jay McShann shaking the walls at the Hey Hey Club. Bram Wijnands had just swept into town from his native Holland. After a one-week sell-out gig at the City Light Jazz Club with Richard Ross, everyone was buzzing about his remarkably fresh new talent with hard-driving swing and enthusiastic style of delivery. Born in Eindhoven, the Netherlands, Bram Wijnands began playing piano at an early age. By the time he turned eight, he studied Barrelhouse Blues (Boogie Woogie) and stride-piano recordings of Fats Waller, James P
2021: The Year in Jazz
by Ken Franckling
The jazz world continued grappling and adjusting in year two of the COVID-19 pandemic. International Jazz Day again went virtual for the most part. Singer Tony Bennett put the final stamp on his touring--and likely recording--career after his Alzheimer's disclosure. Trumpeter Irvin Mayfield was headed to federal prison. The National Endowment for the Arts welcomed four ...
