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Results for "Braithwaite & Katz Communications"
Marcos Varela: San Ygnacio
by Luigi Sforza
Possente il suono, profonda e incisiva la cavata, decisa e vistosamente virtuosa la tecnica del giovane contrabbassista, compositore, arrangiatore e produttore Marcos Varela che in San Ygnacio mette in mostra le sue spiccate qualità strumentali scegliendo di declinare il suo talento all'interno di una langue esplicitamente post bop. In assoluta coincidenza con il credo estetico del ...
Satoko Fujii: Invisible Hand
by Karl Ackermann
Satoko Fujii's work has been well documented across her many musical outlets. A restless creative force, the pianist--and occasional accordionist--she has plied her trade in the intimate duo settings with trumpeter-husband Natsuki Tamura and recently with bassist Joe Fonda on Duet (Long Song Records, 2016). But more often than not, Fujii's presence has been in the ...
Miguel Zenon: Tipico
by Mark Corroto
The saying “like butta" comes to mind when listening to the alto of saxophonist Miguel Zenón. His tone has the consistency of velvety cream, with nary a sour note. Hearing him in the context of his long-standing quartet, we get something like the voguish bulletproof coffee, which consists of butter, whipped into your favorite cup of ...
Jihye Lee Orchestra: April
by Dan Bilawsky
On the morning of April 16, 2014, four hundred seventy-six souls were living life as they knew it, traveling on the ferry Sewol from Incheon to Jeju in South Korea. Then it all came to an abrupt halt when the ship capsized and sank. The South Korean Coast Guard, commercial vessels, and fishing boats managed to ...
Nick Finzer: Hear & Now
by Dan McClenaghan
New York-based trombonist Nick Finzer has benefited from mentorships under trombone masters Wycliffe Gordon and Steve Turre; but his third CD release, Hear And Now also brings the original trombone master, J.J. Johnson to mind. One of Johnson's last CDs, the minor masterpiece, Heroes (Verve Records, 1995), featured a sextet configuration with an enormously-talented pianist, Rene ...
Anna Webber's Simple Trio with Matt Mitchell & John Hollenbeck: Binary
by John Sharpe
If there were a prize for avoiding the obvious, then Brooklyn-based Canadian saxophonist and flautist Anna Webber would be a prime contender. In an effort to take the road less travelled, Webber has used internet-sourced inspiration, including a random binary digit generator, a website that turns words into drumbeats, and even her own IP address, to ...
Satoko Fujii Orchestra Tokyo: Peace
by Karl Ackermann
The profusion of settings in which multi-instrumentalist/composer Satoko Fujii works is something of a phenomenon. The extent to which she brings something unique to each of those situations is even more astounding. In her husband Natsuki Tamura's Gato Libre quartet, Fujii typically plays the accordion to interpret the trumpeter's more lyrical and folkloric compositions. The pair ...
Club d'Elf: Live at Club Helsinki
by Mark Sullivan
The Boston-based collective Club d'Elf seems to attract genre labels like nobody's business. Moroccan-dosed dub-jazz, trance, psychedelia, free jazz, electronica, hip hop, avant-garde, jam band, rock...what other styles have you got? At one point or another any of these labels could apply, but the distinctions are blurred in the joyous sonic stew. The band has hosted ...
Noah Preminger: Meditations on Freedom
by Franz A. Matzner
Released to coincide with the inauguration of Donald Trump as President, the message of Saxophonist Noah Preminger's Meditations on Freedom is as direct as the music is powerful. Conceived immediately after Election Day 2016 and recorded shortly thereafter without cuts or edits, the music is a testament to both Preminger's artistic prowess and deep commitment to ...
Club d'Elf: Live at Club Helsinki
by Doug Collette
It's not really necessary to be a dervish dancer to appreciate Club d'Elf, especially because, on Live at Club Helsinki, the prominence of varied sounds from Duke Levine's electric guitars, combined with the keyboard wizardry of John Medeski, is enough to capture and hold the attention of (almost) any contemporary music-lover. It's as effortless to fall ...
