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Ches Smith: Interpret It Well
by Karl Ackermann
Ches Smith's extraordinary Path of Seven Colors (Pyroclastic Records, 2021) was a breakout recording that placed the drummer/composer at the top of many year-end lists. His sophomore outing on Kris Davis' label bears little similarity to his Pyroclastic debut beyond the artist's knack for discovering unexplored terrain. Interpret It Well reunites the trio of pianist Craig ...
3x3: Piano Trios: April 2022
by Geno Thackara
Okay, we're technically cheating here since this first one is a duo, but there's a full enough sound that you probably wouldn't know it. As is so often the case with piano groups, there's no end to the variety. Glass Museum Reflet Self produced 2022 Glass Museum isn't ...
The Essential Satoko Fujii, Part 4: Quartets
by Dan McClenaghan
Satoko Fujii's recorded output comes at you hard and fast. It can overwhelm. In 2018—in celebration of her sixtieth birthday—the pianist/composer/bandleader released an album a month. Not download offerings, but real, handsomely produced CDs, with top of-the-line cover art and sturdy cardboard covers—jewels for the eye, ear and hand. Several other years have seen a release ...
Ches Smith: Interpret It Well
by Troy Dostert
Ches Smith is a drummer who can make an immediate impact in a number of ways. His work as a sideman with everyone from John Zorn to Ben Goldberg to Tim Berne is ample evidence of his rhythmic range. But his own projects are just as inventive, from the punkish mania of Hammered (Clean Feed, 2013) ...
Charles Mingus: The Lost Album from Ronnie Scott's
by Mike Jurkovic
After the emotional and economic bankruptcies of the late 1960s that nearly took him out of the picture entirely, 1972 broke well for Charles Mingus. He had re-signed with Columbia and delivered the revered Let My Children Hear Music. (He would, a year later, be part of the great Clive Davis jazz purge of 1973 which ...
The Essential Satoko Fujii, Part 3: Trios
by Dan McClenaghan
Satoko Fujii's trio work, in the classic format of piano, bass and drums, or with various other instruments making up the threesome— most notably Natsuki Tamura's trumpet—are as adventurous as anything she does. Spaciousness is more prevalent, though onslaughts of dense clusters still show up. As with every effort she puts out, she is joyously original. ...
The Essential Satoko Fujii, Part 2: Duos
by Dan McClenaghan
Satoko Fujii releases a lot of albums. Most of them are regular CDs, but she has also moved into the Bandcamp offerings, online only. The Essential Satoko Fujii, Part 1 featured four different sides of her artistry: Solo, duo, trio, quartet and orchestra. Part 2 will showcase some of her outstanding duo discs. Satoko ...
Charles Mingus: The Lost Album from Ronnie Scott's
by Mark Corroto
Professionally recorded for Columbia Records, but never released, this live concert from London's Ronnie Scott's Jazz Club is seeing the light of day some fifty years later, as well as marking the centennial celebration of Charles Mingus' birth. The music was never released, not because it was unworthy (it is indeed worthy), but because Mingus along ...
The Essential Satoko Fujii, Part One: Solo, Duo, Trio, Quartet and Orchestra
by Dan McClenaghan
Satoko Fujii's recorded output comes at you hard and fast. It can overwhelm. In 2018—in celebration of her sixtieth birthday—the pianist/composer/bandleader released an album a month. Not download offerings, but real, handsomely produced CDs, with top of-the-line cover art and sturdy cardboard covers—jewels for the eye, ear and hand. Several other years have seen a release ...
Gordon Grdina: Oddly Enough: The Music Of Tim Berne
by Dan McClenaghan
Saxophonist Tim Berne farms out some of his music—oddly, since, considering his work with his groups Blood Count, Big Satan and Snakeoil, etc., his original compositions could be considered some of the least coverable sounds out there. The typical Tim Berne album growls and howls, careens around ninety degree turns, caterwauls and fires sonic laser beams ...
