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AGOGIC: AGOGIC
by Troy Collins
Defined as “accenting a musical note by extending it slightly beyond its normal time value," AGOGIC is the evocative name adopted by the seasoned front-line of multi-instrumentalist Andrew D'Angelo (alto saxophone, bass clarinet) and trumpet player Cuong Vu for a multi-generational collective featuring electric bassist Luke Bergman and drummer Evan Woodle, two of Seattle's most promising ...
Nicholas Urie: My Garden
by C. Michael Bailey
Nicholas Urie made an impressive footprint with the release of his Excerpts From and Online Dating Service (Red Piano Records, 2009). The composer/arranger modus operandi changes little on My Garden, where he takes his texts from the poetry of West Coast writer Charles Bukowski (1920-1994), and weaves them into provocative and often violent tapestries of contemporary ...
The Brian Landrus Quartet: Traverse
by Wilbert Sostre
Jazz fans often cite Gerry Mulligan as the most recognized baritone saxophonist in jazz, but for most, the list stops there. Why the baritone saxophone is not a more popular instrument in jazz is uncertain; in the right hands, the instrument has a warmth and tonal beauty unlike any other. Baritone saxophonist Brian ...
Ezra Weiss: The Shirley Horn Suite
by Wilbert Sostre
Portland based pianist/composer Ezra Weiss' fifth release is a tribute to Shirley Horn, who died in 2005 at age 71. Horn was an excellent pianist and sensitive vocalist, and a Grammy Award-winner in 1991, for Best Jazz Vocal Performance. Weiss is certainly an extraordinaire composer, the winner of three ASCAP Young Jazz Composer Awards. ...
Agogic: Agogic
by Mark F. Turner
Seattle's music scene is well known for its alternative rock bands, such as Pearl Jam, Alice in Chains and Soundgarden. But the nonconformist jazz of Agogic's debut would rival them all in terms of its own energy and inventiveness. Born from the collaboration between saxophonist Andrew D'Angelo and trumpeter Cuong Vu (whose resumes are dotted with ...
Michel Reis: Point Of No Return
by Wilbert Sostre
The trio on Michel Reis' Point Of No Return is a testament to the international character of jazz music, especially in the 21th century. A pianist/composer from Luxemburg, Reis studied jazz performance and composition at Berklee College of Music. Adam Cruz is a Latin American drummer, born in New York, whose experience includes playing with Chick ...
Ken Peplowski: In Search Of ...
by Dan McClenaghan
The splenetic and hard-nosed clarinetist/bandleader Benny Goodman admired tenor saxophonist Ken Peplowski enough to hire the younger musician on for his last performing band, during the mid-1980s. But the Cleveland, Ohio-born and bred Peplowski's main ax was, in fact, the clarinet. He spent a good part of his early career playing in Polish polka bands, and ...
Eddie Mendenhall: Cosine Meets Tangent
by Edward Blanco
Pianist/composer Eddie Mendenhall is a young music professor at Monterey Peninsula College, and serves as an instructor at the renowned Monterey Jazz Festival Summer Jazz Camp. As a music professional, Mendenhall leads his own uncommon quartet on Cosine Meets Tangent, his debut as leader, featuring the combination of piano and vibes as lead instruments. Mendenhall's professional ...
Delfeayo Marsalis: Sweet Thunder
by Raul d'Gama Rose
Was Delfeayo Marsalis undertaking a task too challenging when he recorded music from one of Duke Ellington's most beloved albums to make Sweet Thunder? Gunther Schuller offers a doctrine that seems to suggest this has been so. Apparently the size and composition of the ensemble lead to this mishap. Would it have been remiss, to replicate ...
Michael Feinberg: With Many Hands
by Wilbert Sostre
Bassist Michael Feinberg is a good example of the new breed of young jazz musicians equally comfortable playing a diversity of jazz styles. On With Many Hands, Feinberg's music goes from bebop to avant-garde, and from a ballad to a funky rhythm--sometimes in the same song--with amazing ease and conviction. Surely it all comes from Feinberg ...
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