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Klezwoods: Oy Yeah!
by Bruce Lindsay
From the opening bass, snare drum and accordion of “Ki Eshmera," the Boston-based Klezwoods deliver a beautifully structured and performed collection of traditional tunes on its debut, Oy Yeah!. The nine-piece band moves from haunting ballads to frenzied dance tunes with ease, adding an intriguing original tune from clarinetist Alec Spiegelman for good measure.
Benny Sharoni: Eternal Elixir
by Raul d'Gama Rose
The Benny Sharoni at work on Eternal Elixir shares two sides of his emerging voice and therefore a true personality that is developing deep within the soul of the tenor saxophonist. One side of the artist is a brash young man, who favors the language of modal music. And he makes good this aspect of the ...
Satoko Fujii Orchestra Tokyo: Zakopane
by Raul d'Gama Rose
There are several outstanding qualities that emerge in pianist Satoko Fujii's big band writing. She has an extraordinarily sense of color that plays upon the moist exquisiteness of muted shades, as well as recognizing and utilizing the vivid ends of her palette of colors. She also combines ingenious use of the timbre of various elements of ...
Fay Claassen: Sing!
by C. Michael Bailey
Dutch singer Fay Claassen doesn't necessarily push beyond the musical house, but she does occasionally rearrange the furniture. Her surveys of the Chet Baker catalog Two Portraits of Chet Baker (Jazz'n Pulz, 2006) revealed an abiding respect for the jazz canon, while also giving hint to a playful and creative attitude toward the music. This is ...
Dave Liebman: Live/As Always
by Bruce Lindsay
Dave Liebman, whether in the role of leader or sideman, works across styles and genres with an open mind and inventive approach. Live/As Always finds the saxophonist in top form, working with his 18-piece Big Band on a set of six original compositions. The band, directed by Gunnar Mossblad, is also at the top of its ...
Elisabeth Lohninger: Songs of Love and Destruction
by C. Michael Bailey
Austrian-American Elisabeth Lohninger is emerging as a major creative force in jazz vocals. Her previous release, The Only Way Out is Up (Lofish, 2007), was well-received and displayed a talent both fully formed and evolving. Her first recording, Beneath The Surface (Lofish, 2004) was noted for the singer's “stylistic fluency and versatility." Versatile ...
Gato Libre: Shiro
by Raul d'Gama Rose
The elemental sadness of Natsuki Tamura's trumpet, as it ascends the temperate scale he has created in “Dune and Star," defines the desolate beauty of Shiro, the fourth album from duo-turned-quartet, Gato Libre. Tamura also evokes the soft colors and textures of dawn, dusk, and the time in between, as if it has been caught in ...
First Meeting: Cut the Rope
by Raul d'Gama Rose
Trumpeter Natsuki Tamura creates a vast expanse of sound on Cut the Rope, the first album recorded with his band First Meeting. Nothing is predictable on this wholly improvised album that ranges from aspects of a vision of being marooned on a desolate soundscape to the musicians ultimately finding their way into a melodic river of ...
George Cotsirilos: Past Present
by Raul d'Gama Rose
George Cotsirilos' meticulous and tasteful guitar work is marked by remarkably subtle shifts in accents, and minute changes in expression and dynamics. On Past Present, he also displays an impeccable sense of timin,g especially in revealing the hidden rhythms of complex melodies. His approach to harmony is whimsical, but patently beautiful at all times. He is ...
Satoko Fujii Ma-Do: Desert Ship
by Raul d'Gama Rose
Satoko Fujii Ma-DoDesert ShipNot Two Records2010 Pianist Satoko Fujii's music on Desert Ship, for the quartet Ma-Do, sits in a phantasmagorical realm that is located artistically somewhere between composer Gustav Holst's Planets and film director Stanley Kubrick's 2001: A Space Odyssey. The sojourn begins in a down to ...
