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Ray Anderson - Marty Ehrlich Quartet: Hear You Say
by Bruce Lindsay
Trombonist Ray Anderson and reed player Marty Ehrlich first played together in 1978 as part of Anthony Braxton's band. Thirty-one years later, with extensive individual discographies, the pair finally formed a band of their own and recorded a concert at the 2009 Jazz Festival Willisau, in Switzerland. Hear You Say is this recording--a highly energetic, exciting, ...
Colin Stranahan: Life Condition
by Bruce Lindsay
Drummer Colin Stranahan was something of a prodigy, gigging around his home town of Denver, Colorado, aged 11 years and releasing his first album, Dreams Untold (Capri Records, 2004) at the age of 17. Life Condition is his third album--inspired by a trip to India with Herbie Hancock and the Monk Institute Band. It's a mix ...
The Ullmann/Swell 4: News? No News!
by Raul d'Gama Rose
There is a marvelous gravitas that emanates from the musical waves that rush onward and beat the inner ear, spreading colors and textures like brilliant volatile smears on the music's canvas. The awesome density of Steve Swell's trombone carving the air in great circles of sound, swirling around the growling of Gebhard Ullmann's tenor saxophone brings ...
Jason Robinson: The Two Faces of Janus
by Troy Collins
Currently serving as Assistant Professor of Music at Amherst College in Massachusetts, multi-reedist Jason Robinson originally obtained his Ph.D. in music from the University of California. A promising new arrival to the East Coast scene, Robinson's academic background imbues his episodic writing with an organically cohesive sensibility, while his years spent co-leading the longstanding bicoastal ensembles ...
Steve Swell: Steve Swell's Slammin' The Infinite
by Raul d'Gama Rose
Using something that Walt Whitman said about prolific writing, trombonist Steve Swell posits that the more he creates--the more he writes and therefore performs--the more likely he is to produce something worthwhile. Although he does not mention it, this also suggests pushing the boundaries and being nonjudgmental about any of his work until he arrives at ...
Saxphonist Jason Robinson Interviewed at All About Jazz...and More!
Saxophonist Jason Robinson is alert and ready to work his place in the scheme of things, from jazz itself and music at large, to the existential particulars of philosophy. A supple technician with a penchant for abstract thought, he splices together different strains of theory and logic with combinatory takes on period, school and style. A ...
Rich Halley Quartet: Live at the Penofin Jazz Festival
by Dan McClenaghan
Like the very best of them, every time Rich Halley puts his horn in his mouth it's a celebration of the sound of the saxophone. His powerhouse blowing capacity and testosterone-soaked sound hearken to the great Sonny Rollins and the late Dewey Redman. His ensemble approach featuring two horns--cornet and saxophone, supported by bass and drums ...
Conference Call: What About...?
by Mark Corroto
One of the finest improvising units working today, Conference Call is a complete band, capable of touching all the jazz bases, be they individual or group improvisation, or the performance of composed music. The quintet's sixth release, What About...? is a two-disc session from the band's 10th anniversary tour, and was recorded live at Alchemia in ...
Mark A. Lomax: The State of Black America
by Raul d'Gama Rose
There has not been such an in-your-face title for an album of music in a long, long time. Drummer Mark Lomax has decided that it is necessary and, therefore, goes for the jugular by calling his album The State of Black America. Perhaps the release is timely, with racism seemingly raising its ugly head more frequently ...
Joe Gilman: Americanvas
by Woodrow Wilkins
Originality plus artistic vision equals an irresistible palette for jazz. Pianist Joe Gilman, music director of the Brubeck Institute's fellowship program, mixes both elements with Americanvas, musical interpretations of 10 American paintings. “Gossip" begins with a spirited solo piano that shifts gears a few times before bringing in the rest of the band. The ...
