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Discover The Jazz Innovators Of Tomorrow With "In The Mix"
A Free Series of Concerts Showcasing New England Conservatory's Exceptional Jazz and Contemporary Improvisation Ensembles 36 One-Hour Concerts Over 12 Evenings at NEC's Pierce Hall Monday, April 1 – Wednesday, May 1 Discover the jazz innovators of tomorrow with In the Mix, 36 free 1-hour concerts, Monday, April 1 — Wednesday, May 1, 2013 at New ...
New York Voices: New York Voices Live with The WDR Big Band Cologne
by Edward Blanco
The Grammy Award-winning vocal group New York Voices celebrates its 25th anniversary presenting their first full live album with New York Voices Live offering a collection of past favorites and brand new arrangements from the principal arranger-conductor renowned pianist/arranger Michael Abene. A live recording from a May 2008 concert at the Kolner Philharmonie in Cologne, Germany ...
New England Conservatory Launches Jazz Lab: One-week Jazz Program For Students Ages 14-18, From June 23-28
Work With NEC’s Premier Jazz Faculty including Ken Schaphorst, Dominique Eade, Joe Morris and Rakalam Bob Moses Any plans for summer vacation? Come explore jazz at New England Conservatory during Jazz Lab, a program for students ages 14 – 18 of all proficiency levels, from all over the country and abroad. Jazz Lab promises musical and ...
Jon Lundbom's Big Five Chord: No New Tunes
by Dave Wayne
Certainly not straight-ahead jazz, decidedly not fusion, and not really free-jazz either, guitarist/composer Jon Lundbom and his Big Five Chord have taken a decidedly idiosyncratic path that simultaneously eschews and embraces all of these sub-genres, while largely rejecting their collective stylistic baggage. This judiciously iconoclastic individualism is what one can expect from Lundbom, a musician whose ...
New York Voices: Live with the WDR Big Band Cologne
by C. Michael Bailey
New York Voices celebrates its Silver Anniversary with the release of the jazz vocal quartet's first completely live recording, Live with the WDR Big Band Cologne, recorded at the Kölner Philharmonie in May, 2008. Sharing a jazz ensemble field with Manhattan Transfer and the Uptown Vocal Jazz Quartet has in no way dampened the group's efforts ...
Jussi Reijonen: Un
by Eyal Hareuveni
The debut recording of Boston-based guitarist and oudist Jussi Reijonen is a remarkable crystallization of musical concepts and influences from the West and in the East. It is also a mature reflection of the musical experiences that Finland-born Reijonen accumulated in all the places that he grew up, including the Finnish Arctic Circle, the Middle East ...
Wadada Leo Smith Seeks Funding To Complete & Premiere New Work To Mark 50th Anniversary Of The March On Washington
Smith’s Ten Freedom Summers Voted #3 New Release of 2012 in Rhapsody Jazz Critics Poll Trumpeter/composer/musical innovator Wadada Leo Smith is seeking $17,000 to complete and premiere a new work for his highly acclaimed civil rights opus Ten Freedom Summers. The new work, entitled The March on Washington D.C.- August 28, 1963, will commemorate the 50th ...
Jussi Reijonen: Un
by Hrayr Attarian
Finnish guitarist/oudist player Jussi Reijonen's debut, Un, seamlessly blends multiple ethnic influences into a stimulating whole, crackling with vitality and innovative spirit. The opening “Serpentine" is a sonic tapestry of both eastern and western motifs. His sinuous oud and Palestinian percussionist Tareq Rantisi's resonant beats contrast nicely with Turkish pianist Utar Artun's more ...
Barry Altschul: The 3dom Factor
by Troy Collins
Drummer Barry Altschul is widely revered for his innovative work during the 1970s with the all-star quartet Circle and as a member of the influential trios of pianist Paul Bley and multi-instrumentalist Sam Rivers. Despite his avant-garde credentials, Altschul's purview also included sideman work with traditional jazz artists, including saxophonists Sonny Criss, Lee Konitz and Art ...
Mostly Other People Do the Killing: Slippery Rock
by Glenn Astarita
Strangely enough, bandleader and bassist Moppa Elliot derived inspiration for his compositions on Slippery Rock from smooth jazz albums of the late 1970s and '80s. However, it's more like smooth jazz under siege; with resonating rhythms, scorching and wily horns choruses, the program offers subliminal detections of commercial jazz fare as the band often breaks into ...
