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Meet Roberta DeNicola
by Tessa Souter and Andrea Wolper
Roberta DeNicola, a favorite of musicians on New York City's downtown and experimental jazz scenes, has very broad taste in jazz--from straight-ahead to out--but the more out it is, the more she needs to experience it live. She saw her first jazz concert (jazz flutist Hubert Laws) on a date with her teenage boyfriend. However, it ...
Marco Sanguinetti: Cómo Desaparecer Completamente (How to Disappear Completely)
by Troy Dostert
Argentinian pianist Marco Sanguinetti has brought his imaginative, genre-crossing sensibility to projects like “8" (2014), an album of original, Latin-inspired pieces filtered through thoroughly modern stylistic devices, and his work with Pibe-A, which has recorded tributes to Pink Floyd's “Dark Side of the Moon" and Radiohead's “Kid A." Given his track record of eclecticism and ambition, ...
Frank Woeste
by Paolo Peviani
Frank Woeste is a German pianist living in Paris. He graduated from the Paris Conservatory in 2001, and was awarded 1st or 2nd prize at several international contests such as the Steinway Prize at the Montreux International Piano Competition (Switzerland), the Jazz Hoeilaart International Competition (Belgium) and the Gexto European Jazzcontest (Spain).
Songlines Recordings Releases "Shores Against Silence," The First Of A Two-CD Set Featuring Works By Patrick Zimmerli Spanning The Past 25 Years
Composer/saxophonist Patrick Zimmerli offers a unique view on the evolution of musical and artistic ideas on his latest recordings: Shores Against Silence and Clockworks. Recorded in 1992 and circulated only as an underground tape in the New York scene, Shores Against Silence is being released commercially for the first time this November. Bookending a compositional arc ...
Wolfgang Muthspiel: Rising Grace
by Mark Sullivan
Austrian guitarist Wolfgang Muthspiel made a big splash early in his career, playing with vibraphonist Gary Burton and recording for PolyGram Records (including 1990's The Promise, produced by Burton). Since founding his own label Material Records in 2000 he has had a somewhat lower profile, although in addition to a number of his projects the label ...
Marco Sanguinetti: Cómo Desaparecer Completamente
by Karl Ackermann
The first time that Brad Mehldau covered Radiohead's “Paranoid Android" on Largo (Warner Bros, 2002), the idea of jazz interpretations of alternative rock songs was a bit more of a novelty even if a concept that Mehldau had long embraced. That said, taking on a double-disc set dedicated to the output of one pop entity is ...
Marco Sanguinetti: Cómo desaparecer completamente
by Geno Thackara
Devoting an entire album to another artist's songs is a tradition with, let's say, a checkered history. It can be done out of anything from genuine love to simple goofy novelty. The results are sometimes honorable or even transcendent, other times often pointless copies or cheap money grabs (remember that early-noughties flood of string quartet tributes ...
Joshua Redman & Brad Mehldau: Nearness
by Doug Collette
Brilliant musicians don't always make brilliant music when they collaborate and while that's sometimes been the case with pianist Brad Mehldau and saxophonist Joshua Redman, on the duo concert recordings that make up the appropriately-titled Nearness, they live up to their elevated pedigree. And that's individual as well as shared cachet: Mehldau spent a fair amount ...
Joey Alexander: Countdown
by Doug Collette
Like most such facile categorizing, 'child prodigy' usually ends up being a dead end rather than a means to explore the subject at hand. In the case of Joey Alexander, it's a disservice precisely because it's so restrictive: if he proves anything on his second album, it is that he will not be confined.
Joshua Redman and Brad Mehldau Reunite on "Nearness," Available September 9 on Nonesuch
Longtime friends and collaborators release first duo album “The sheer skill of these two musicians demanded sharp attention from start to finish.” —The Boston Globe “To listen to two of the leading US musicians of their generation communicating on stage so miraculously is to wonder why the attractive format of piano and saxophone hasn't been more ...
