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Album

Boustrophedon

Label: ECM Records
Released: 2008
Track listing: Overture; Furrow 1; Furrow 2; Furrow 3; Furrow 4; Furrow 5; Furrow 6; Finale.

Article: Album Review

E se alla fine l'annosa diatriba sulla opposizione/dialettica tra composizione e improvvisazione fosse solo frutto di un errore percettivo? Giusto chiederselo allora, quando l’ECM licenziò Composition/Improvisation Nos. 1, 2 & 3 di Roscoe Mitchell, doveroso rinnovare l’interrogativo in occasione dell’uscita del disco gemello di quell’opera straordinaria, Boustrophedon, con Evan Parker a guidare il Transatlantic Art Ensemble ...

288

Article: Album Review

Evan Parker / The Transatlantic Art Ensemble: Boustrophedon

Read "Boustrophedon" reviewed by Budd Kopman

by Budd Kopman
June 4, 2008

Saxophonist Evan Parker's marvelous and moving Boustrophedon is a companion piece to saxophonist Roscoe Mitchell's Composition/Improvisation Nos. 1, 2 & 3 (ECM, 2007), recorded live in Munich the night before Mitchell's suite and using the same musicians, The Transatlantic Art Ensemble. Both Parker and Mitchell were commissioned to compose music for a symposium for improvised music, ...

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Article: Album Review

Evan Parker: Boustrophedon

Read "Boustrophedon" reviewed by Henry Smith

by Henry Smith
May 29, 2008

The follow-up to Roscoe Mitchell's Composition/Improvisation Nos. 1, 2 & 3 (ECM, 2007), Evan Parker's Boustrophedon features the saxophonist/improviser conducting and playing with the Transatlantic Art Ensemble, a collected group of musicians from Europe and the U.S. brought together to perform these two semi-composed works for a Symposium for Improvised Music in Munich. The group, consisting ...

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Article: Album Review

Evan Parker / The Transatlantic Art Ensemble: Boustrophedon

Read "Boustrophedon" reviewed by John Kelman

by John Kelman
May 1, 2008

The delineation between ECM's regular series and New Series has always been relatively clear--improvised music with the regular series, composed music on the New Series. Still, there's an increasingly substantial gray area, occupying a fuzzy space between the two. Reedman Roscoe Mitchell's outstanding Composition/Improvisation Nos. 1, 2 & 3 (ECM, 2007) occupied that ...