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290

News: Book / Magazine

Ellington Uptown: Duke Ellington, James P. Johnson and the Birth of Concert Jazz

Ellington Uptown: Duke Ellington, James P. Johnson and the Birth of Concert Jazz

By Daniel Kassell In the first Chapter “On Tone Parallels to Harlem" John Howland states the premise that Symphonic Jazz of the 1920's influenced “a wide variety of American musical traditions" covering an awful lot of ground but stipulating it was merely “a minor footnote" in its own time. Mr. Howland writes, “Why our we to ...

145

News: Book / Magazine

Album Jackets Make a Classic Fit for Cool Jazz

A psychedelic flowered skull laughing into the darkness. A wave of text twisted across a blank field like a quicksilver melody line. A photographic lineup of serious young men in dark suits, staring back at the viewer with jarringly direct eye contact that offers an invitation as much as a confrontation. These are just a few ...

206

News: Book / Magazine

AllAboutJazz-New York August 2009 Issue Now Available!

AllAboutJazz-New York August 2009 Issue Now Available!

One of the more compelling facets of jazz as a musical form is the pliability of its practitioners. Unlike most classical musicians who play scores written for them or rockers who are serial monogamists when it comes to bands, jazz players, for reasons both artistic and economic, usually exist simultaneously as leaders and sidemen. Some start ...

104

News: Book / Magazine

The 3 Biggest Reasons Music Magazines Are Dying

The 3 Biggest Reasons Music Magazines Are Dying

It's no secret that music magazines a rapidly becoming a relic of another era. Most blame a decline in advertising revenue coupled with the growth of free online music media. But ex-Blender staffer Jonah Weiner suggests there are other factors killing our once beloved music rags in his Slate piece “Spinning In The Grave“. There are ...

188

News: Book / Magazine

Courtney Fortune in the October Issue of Glamour Magazine

Courtney Fortune in the October Issue of Glamour Magazine

156

News: Book / Magazine

"1959: The Year Everything Changed" by Fred Kaplan

The end of the 1950s was a pivotal time, a cabinet of wonders, the author contends, that overshadows every other year, including those of the '60s. When a writer needs a break these days, he picks a year -- 1968 was popular last year -- and spends a few hundred pages arguing how it's central to ...

151

News: Book / Magazine

Innovative Memoir of Jazz Genius Dizzy Gillespie Back in Print

Innovative Memoir of Jazz Genius Dizzy Gillespie Back in Print

To Be, or Not... to Bop Dizzy Gillespie with Al Fraser University of Minnesota Press | 576 pages | 2009 ISBN 978-0-8166-6547-1 | paperback | $19.95 BACK IN PRINT! This extensive biography is intertwined with reflections from famous Gillespie associates Cab Calloway, Count Basie, Miles Davis, Thelonious Monk, Mary Lou Williams, Ella ...

168

News: Book / Magazine

Jazztimes Resuscitated

Jazztimes Resuscitated

JazzTimes magazine announced today that it will come back to life with an August issue. A post on the magazine's web site says that a Boston company, Madavor Media, has acquired JazzTimes. It describes Madavor as “a market-leading enthusiast publishing and trade-show group." Jazz Times announced in early June that it was temporarily suspending publication. A ...

151

News: Book / Magazine

Nick Catalano's "New York Nights"

Nick Catalano's "New York Nights"

Includes intriguing details about the hangouts of jazz legends Miles Davis, Lionel Hampton, Duke Ellington, and Max Roach Catalano shares his personal experiences, gossipy anecdotes and critical commentary as a television and concert producer who was once firmly entrenched in the unpredictable and exciting comedy and jazz scene coming out of New York City. It is ...

127

News: Book / Magazine

JazzTimes Will Play On

JazzTimes, one of the country’s most prominent jazz magazines with a circulation of more than 100,000, announced last month on its Web site, jazztimes.com, that it was ceasing publication because of financial trouble. Much of the magazine’s audience — as well as contributors who hadn’t been paid for their recent work — assumed that this was ...


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