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Take Five With Behn Gillece
by AAJ Staff
Meet Behn Gillece: Vibraphonist Behn Gillece began his musical training during his teenage years. Gillece began his studies in percussion while maintaining an interest in jazz. Inspired by greats like Milt Jackson and Bobby Hutcherson, Gillece decided to make a commitment to vibraphone and composition. As a New Jersey native, Behn Gillece performed regularly in ...
Mika Stoltzman: If You Believe
by Dan Bilawsky
In jazz, the marimba tends to be dwarfed by its sustain-friendly metallic cousin, the vibraphone. Many fine vibes players, like Bobby Hutcherson and Stefon Harris to name just two, double on marimba, but that instrument always comes second for them--and for most jazz mallet players--and it almost never dominates a program; almost is the key word, ...
Bobby Hutcherson: France, 1969
Searching around YouTube yesterday, I found a gorgeous clip. The following video features vibraphonist Bobby Hutcherson with tenor saxophonist Harold Land on July 25, 1969 at the Juan Les Pins Jazz Festival in Antibes, France. They were backed by Stanley Cowell (p), Reggie Johnson (b) and Joe Chambers (d). This clip features the quintet on Herzog, ...
Mike Clark: East Bay Funk
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]I remember the first time I heard the classic Herbie Hancock album Thrust (Columbia, 1974). It was on the radio, if you can believe it. The song “Actual Proof" burned into my brain: I had been a fan of Herbie's, especially of ...
Joe Henderson: Mode for Joe
by Greg Simmons
Recorded and released in 1966, Mode for Joe was Joe Henderson's last session as a leader for Blue Note Records until 1985's State of the Tenor.True to form for the period, the recording features a cast of legendary players in peak form. In this case Henderson shares front line duties with a fiery Lee ...
John Santos: Keeper of the Culture
by Steve Bryant
In a career spanning almost 40 years, percussionist John Santos has gained world-wide renown and acclaim as one of the great composers and bandleaders in the Afro-Cuban jazz idiom. The four-time Grammy nominee is one of the foremost proponents of Afro-Latin music in the world today, known for his innovative use of its traditional musical forms ...
Miguel Zenon: Celebrating the Music of La Isla
by Steve Bryant
For the last decade, saxophonist Miguel Zenón has distinguished himself as one of the most innovative and creative musicians in the modern jazz idiom. The Puerto Rican-born altoist accomplished this feat by reaching back to the musical and cultural traditions of his island. On groundbreaking recordings such as Jibaro (Marsalis Music, 2005) and Esta Plena (Marsalis ...
Yuhan Su: Good Vibes
by Ian Patterson
Everybody loves the romance of a comeback: the phoenix-like rise from adversity, long-term exile, obscurity or defeat. Think of US President Abraham Lincoln's travails, boxer George Foreman's regaining the World Heavyweight title at the age of 45, actor Sean Connery's return as Bond, David Bowie's eternal reinvention or, indeed, the peculiar cycles of fashion that have ...
Papo Vazquez: San Francisco, CA, March 22, 2013
by Ken Vermes
Papo Vazquez's Pirates and Troubadours SFJAZZ Center San Francisco, CA March 22, 2013On Friday, March 22, 2013, jazz lovers at the new SFJAZZ Center were in for a very special experience. As part of the series of concerts curated by a jazz artist, conguero John Santos unleashed what can ...
Charles Lloyd: Quartets
by John Kelman
ECM's Old & New Masters Edition series was not just created to bring material back into print. Some has been available on CD before, but an even bigger carrot for fans of the label is material that has never been on compact disc, like bassist Arild Andersen's three 1970s recordings, collected on Green in Blue (2010), ...
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