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News: Birthday

Jazz Musician of the Day: Bobby Hackett

Jazz Musician of the Day: Bobby Hackett

All About Jazz is celebrating Bobby Hackett's birthday today! Bobby Hackett, one of nine children, was born and raised in Providence, Rhode Island. At an early age he played the ukulele and by the time he was twelve played guitar and violin, and had bought his first cornet. He left high school after his freshman year ...

1

Article: Radio & Podcasts

Dave Liebman, Stéphane Spira and More

Read "Dave Liebman, Stéphane Spira and More" reviewed by Joe Dimino


The mighty NEA Jazz Master Saxophonist Dave Liebman kicks off this week's episode of Neon Jazz, as we play tracks from legends he played with over the years, like Elvin Jones and the mighty Miles Davis. We also take a look at the new music from the great Jared Sims and hear words of wisdom from ...

News: Video / DVD

Bobby Hackett Plays Tony

Bobby Hackett Plays Tony

To the best of my knowledge, cornetist Bobby Hackett played on just two Tony Bennett albums in the 1960s. He can be heard blowing mellow obbligatos around Tony's vocal on two tracks on A Time for Love, a compilation of unreleased material between 1960 and '66. Hackett also plays ukulele on Sweet Lorraine on Tony's If ...

News: Birthday

Jazz Musician of the Day: Bobby Hackett

Jazz Musician of the Day: Bobby Hackett

All About Jazz is celebrating Bobby Hackett's birthday today! Bobby Hackett, one of nine children, was born and raised in Providence, Rhode Island. At an early age he played the ukulele and by the time he was twelve played guitar and violin, and had bought his first cornet. He left high school after his freshman year ...

6

Article: Album Review

Wild Bill Davison: The Danish Sessions

Read "The Danish Sessions" reviewed by Chris Mosey


Wild Bill Davison was aptly described by Humphrey Lyttelton as the kind of drunken reveller who throws his arms around your neck one moment and tries to knock you down the next. Aside from his drinking, Wild Bill was, more importantly, a white Dixieland cornet player of considerable ability, with a fierce, uninhibited attack, whose heroes ...

11

Article: Opinion

Trumpet Miming in Film: Mostly Jive

Read "Trumpet Miming in Film: Mostly Jive" reviewed by S.G Provizer


No surprise that filmmakers want to feature trumpet players in their films. After all, we are a complicated, sometimes volatile and, ahem, sexy cohort. I've written here about the odd character-illogical bent that movies show toward the species, but in this post, I'll restrict myself to analyzing how well filmmakers pull off the act of shooting ...

26

Article: Profile

Billy Krechmer: A Philadelphia Story

Read "Billy Krechmer: A Philadelphia Story" reviewed by Richard J Salvucci


There is a story told of the last night of an iconic jazz club in Philadelphia in 1966. The bandleader-owner, it was said, had been called away prior to closing. He was unable to return before the end of the last set. Walking back, he watched the crowd filing out. Some, I am told, had tears ...

1

News: Birthday

Jazz Musician of the Day: Bobby Hackett

Jazz Musician of the Day: Bobby Hackett

All About Jazz is celebrating Bobby Hackett's birthday today! Bobby Hackett, one of nine children, was born and raised in Providence, Rhode Island. At an early age he played the ukulele and by the time he was twelve played guitar and violin, and had bought his first cornet. He left high school after his freshman year ...

1

News: Video / DVD

Why The Cornet? (Revisited And Revised With Video)

Why The Cornet? (Revisited And Revised With Video)

Because of circumstances too complicated and mundane to relate, there will be no Monday Recommendation today. Stuff happens. Maybe there will be a Tuesday Recommendation tomorrow. In the meantime, here is a Rifftides post that appeared nearly ten years ago. Possibly you had forgotten about it. The staff has removed outdated links and added video that ...

24

Article: Building a Jazz Library

Stan Getz

Read "Stan Getz" reviewed by Mark Barnett


The story of Stan Getz (1927-1991) has to begin with Lester Young. Before Young, tenor sax players seemed awash in testosterone. Their sound was full, rich, deep, blown hard out of the instrument's lower registers, with emotion pouring out in lavish swoops and honks. Then along came Lester. In the post-war 1940s, he invented a new ...


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