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Bobby Avey: Authority Melts From Me
by Dave Wayne
It's no mean feat for a creative artist to translate historical events--much less those marred by centuries of slavery, political struggles, foreign occupation (most notably by the US) and the endless oppression of a chronically poor underclass wracked by disease--into a cogent, coherent musical statement. Recent events on the island nation of Haiti have included a ...
Expansions: The Dave Liebman Group: Samsara
by Dan Bilawsky
Trying to keep up with all of saxophonist Dave Liebman's musical exploits? Good luck. A year doesn't seem to go by when Liebman doesn't release multiple recordings with different bands on different labels. Take 2014 for example: it's a year that has already seen his big band-based A Tribute To Wayne Shorter (Mama Records, 2014), an ...
Bobby Avey: Authority Melts from Me
by Maurizio Zerbo
Talento emergente del piano jazz statunitense, Bobby Avey ha vinto nel 2011 il prestigioso “Thelonius Monk International Jazz Competition" che lo ha proiettato alla ribalta nazionale. Dopo due album e l'esperienza come sideman nel gruppo “Expansions" di Dave Liebman, il musicista newyorchese sperimenta la formula del quintetto per questa affascinante suite in tre movimenti dedicata alla ...
Pianist Bobby Avey To Release Authority Melts From Me, A Three-Part Suite Exploring Haitian Vodou Drumming & Its Role In Haitian Revolution
Pianist Bobby Avey is an emerging star on the international jazz scene. In 2005, while a student at the Purchase Conservatory of Music, Avey was invited by NEA Jazz Master David Liebman to adapt and arrange art songs from the Classical and Romantic eras for reinterpretation creating a vehicle for improvisation. The project, which culminated with ...
Bobby Avey: Authority Melts From Me
by Glenn Astarita
Former Thelonious Monk competition winner, pianist Bobby Avey has been creating a buzz in the jazz community based on the strengths of his three previous solo outings. Yet Authority Melts From Me is his first quintet led outing, inspired by his respect for the people of Haiti and the slave revolt, leading to the country's independence ...
Lineage: Rock and Pop Classics Revisited
by Chris M. Slawecki
In 2010, saxophonist Dave Liebman and drummer Michael Stephans began tossing around cover song ideas with guitarist Vic Juris, who was featured in the Liebman Group from 1991 through 2012. These conversations were soon joined by bassist Evan Gregor, keyboard player Bobby Avey and woodwinds player Matt Vashilishan. The resultant Lineage, subtitled Rock and Pop Classics ...
Vámanos – Let’s Go!
by Chris M. Slawecki
As jazz continues to indelibly leave imprints on music all over the globe, this column explores everything from classic 1960s and '70 singles from Peru to contemporary updates of traditional blues from Turkey and Greece. Vámanos--let's go! Ҫiğdem Aslan Mortissa Asphalt Tango 2013 Ҫiğdem Aslan was born in the ...
Whaling Ciy Sound Releases "Lineage" by Dave Liebman and Michael Stephans
Since he began to seriously pursue a career as a jazz artist back in the 1960s, Dave Liebman has been on a transformative journey towards becoming a true original in the genre. After assuming sideman slots with the likes of Miles Davis, Elvin Jones, and Chick Corea, to name but a few, he has certainly earned ...
Dave Liebman/Michael Stephens: Lineage: Rock and Pop Classics Revisited
by Dan McClenaghan
Saxophonist Dave Liebman was yet another musician drawn into the orbit of trumpeter Miles Davis, contributing to the always innovative master band leader's extraordinary and ground breaking--but underappreciated and even maligned at its time of release--On the Corner (Columbia Records, 1972), as well as Dark Magus (Columbia Records, 1974) and Get Up With It (Columbia Records, ...
Alash, Skye, and Quest
by Martin Longley
Alash Carnegie Hall February 16, 2013 Carnegie Hall's late-night weekend series of shows always have a livelier atmosphere than their earlier 8:00 p.m. concerts. Typically a gig will begin down in the subterranean Zankel Hall at 10:00 p.m., continuing until almost midnight. It always seems as if the audience ...
