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Jamie Krents: Hardcore Jazz Fan And New President Of Impulse!
by Chris May
For jazz lovers in general, and Impulse! devotees in particular, the future just got brighter, more orange and more black. Jamie Krents, a longtime Impulse! aficionado, has been appointed the label's president. In his previous role as executive vice president, Krents played a determining role in recent signings such as The Comet Is Coming (pictured), The ...
Celeste: Not Your Muse
by Chris May
The mega-concert staged in front of London's Buckingham Palace on June 4, 2022 to celebrate Queen Elizabeth II's Platinum Jubilee was not an obvious save-the-date event for British jazz fans or non-monarchists. It was, however, brilliantly staged, and worth watching for that reason alone. And as it turned out, it contained three-and-a-half minutes of transcendent song ...
John Coltrane: Favorites Revisited
by Chris May
A major event for connoisseurs of John Coltrane's classic quartet, Favorites Revisited delivers one and a quarter hours of landmark live recordings in state-of-the-art 21st century audio. Professionally recorded, and therefore sounding pretty good even on original release, the material now benefits from remastering by the ezz-thetics label's sonic jedi Michael Brändli. At times, it almost ...
Gil Scott-Heron-Brian Jackson: Mezzo secolo di una partnership epocale
by Angelo Leonardi
A mezzo secolo di distanza dai primi folgoranti album degli anni settanta, la figura di Gil Scott-Heron resta centrale nella cultura afro-americana contemporanea. Molti rapper l'hanno indicato come ispiratore, Makaya McCraven gli ha dedicato nel 2020 We're New Again e i suoi brani sono stati campionati da esponenti della scena hip hop come Kanye West, Drake ...
John Coltrane: Chasin' The Trane Revisited
by Chris May
A high-tide moment in jazz history, John Coltrane's November 1-5 1961 engagement at New York's Village Vanguard was exhaustively documented on a series of Impulse albums during the 1960s and 1990s. Those discs have now, in autumn 2021, been supplemented by the Swiss-based ezz-thetics label's magnificent Chasin' The Trane Revisited. Before examining the new ...
John Coltrane: An Alternative Top Ten Albums
by Chris May
Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho
by Chris May
Charles Tolliver has played with practically every major African American jazz stylist of his generation, and composed for some of them, too. In addition, he is the co-founder of Strata-East, the most influential label at the intersection of hard bop and spiritual jazz during the 1970s. Tolliver's long and distinguished career continues to flourish, with a ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Lonnie Liston Smith & The Cosmic Echoes: Expansions
by Chris May
If ever a first wave jazz-funk album deserved a 180gm vinyl reissue in 2020 it is this near masterpiece. It was originally released in 1975 on Flying Dutchman, the label Bob Thiele set up after he left Impulse!. Jazz-funk divided the jazz world in the 1970s as much as free-jazz had done a ...
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