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Blue Note All Stars: Our Point Of View
by Chris May
Different generations of Blue Note stars come together on this double-album to celebrate the label's legacy and to affirm its present-day relevance. Wayne Shorter and Herbie Hancock first recorded for Blue Note in the 1960s. Robert Glasper, Ambrose Akinmusire, Marcus Strickland, Lionel Loueke, Derrick Hodge and Kendrick Scott variously came on board in the 2000s and ...
Aaron Parks: Finding the Way to Little Big
by Jiaowei Hu
"Always beginning. Often perplexed. Drawn to beauty and to the absurd. I play piano, write songs, and take pictures of doors with my phone. A bit odd." So is the pianist's own account on his website, written in a few scribbled sentences. About a decade ago, Aaron Parks created much of a stir through his debut ...
Bill Frisell: Harmony
by Giuseppe Segala
"Perché no? Non c'è motivo per cui non puoi inserire Lush Life" e il tradizionale Red River Valley" nello stesso album. Sono entrambe bellissime canzoni ." Il criterio di Bill Frisell nella costruzione di questo lavoro è espresso con parole semplici, che rimandano alla schiettezza delle intenzioni. Il quartetto coinvolto, di natura cameristica, fu presentato per ...
GoGo Penguin: Ocean in a Drop
by Geno Thackara
While William Blake saw the world in a grain of sand, and the poet Rumi wrote that each person is not a drop in an ocean but rather the opposite, GoGo Penguin's ever-expanding sonic world hints at similar multitudes yet to be experienced. It rarely sounds like just" piano, bass and drums in these hands, and ...
Hong Kong International Jazz Festival 2019
by Rob Garratt
Hong Kong International Jazz Festival 2019 Hong Kong City Hall; Hong Kong Park Hong Kong September 22, 25-27 We've long been told that jazz is a world language, but regional dialects are becoming an increasingly louder part of the conversation. Sitting conceptually, if not geographically, on the nexus ...
Bill Frisell: Harmony
by Franz A. Matzner
Renowned guitarist Bill Frisell's Blue Note Records debut Harmony is a pleasant album. This does not imply lack of innovation, the saccharine sound or the absence of bite and sorrow. These hues of bite and sorrow actually dominate the fourteen selections, which in patented Frisell manner run the gamut from traditional Americana to Elvis Costello to ...
Bill Frisell: Harmony
by Mark Sullivan
Iconic guitarist-composer Bill Frisell has chosen to primarily emphasize the Americana side of his music for his debut as a leader for Blue Note Records. When Frisell organized his new band with vocalist Petra Haden, cellist Hank Roberts and guitarist-bassist Luke Bergman he was struck by the fact that all of the band members but him ...
Donald Byrd: Ethiopian Knights
by Chris May
Donald Byrd (1932-2013) was a solid and dependable and prolifically recorded hard-bop trumpeter during the style's mid 1950s to mid 1960s heyday, though he was never an innovator, far less an auteur. He later went on to make a string of tedious disco-cum-jazz-funk albums which sold by the truckload. On the cusp of this ...
Bobbi Humphrey: Blacks And Blues
by Chris May
The title of the album and that of its opening track ("Chicago, Damn"), the original release date (1973) and the 'fro might suggest flautist Bobbi Humphrey's Blacks And Blues came with a clenched-fist salute and a political manifesto. But hey, Humphrey's third Blue Note release was composed and produced in La La Land by brothers Fonce ...
Wayne Shorter: Etcetera
by Patrick Burnette
The mid-sixties was an incredibly busy time for Wayne Shorter, who in 1965 had transitioned out of being Art Blakey's musical director into serving more or less the same roll for Miles Davis. By that point, he already had three Vee-Jay and two Blue Note leader dates under his belt and, in '65, he went on ...


