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Sonny's Crib
by C. Michael Bailey
From the outset, pianist Sonny Clark's sophomore effort as a leader is crisp, white-hot hard bop. Leading a standard bop trumpet-tenor saxophone quintet (Donald Byrd, John Coltrane), supplemented with trombone (Curtis Fuller), Clark and his most reliable rhythm section of bassist Paul Chambers and drummer Art Taylor carve five dictionary examples (with alternate takes on the ...
GoGo Penguin: GoGo Penguin
by Geno Thackara
Calling GoGo Penguin a jazz group is sort of like calling Canada a big snowy place. Nobody would consider such a simple term adequate to describe the trio today, least of all the members themselves--bassist Nick Blacka explains that with album number five, GGP has “finally come to accept that we really just aren't a jazz ...
New Faces - New Sounds
by C. Michael Bailey
Jazz is littered with musicians like Elmo Hope: young, talented and, ultimately, doomed because of racism, poverty, and chemical dependency. Born in New York City, the son of immigrants from the Caribbean, Hope managed to release more than a baker's dozen of studio recordings in as many years, before dying of drug addiction-related health problems in ...
Dial "S" for Sonny
by C. Michael Bailey
Pianist Sonny Clark was culturally marginalized in much the same way as his contemporary Elmo Hope—both heroin-addicted jazz musicians in the 1950s: at the time, and romantically, a cliche. Both pianists have been sorely lumped into the “Bud Powell school of bop piano" which superficially may seem accurate until one considers the evolutionary continuum of jazz ...
New Faces - New Sounds
by C. Michael Bailey
In the early 1950s, Blue Note Records introduced new artists in the label's series New Faces -New Sounds. It highlighted such young artists as Horace Silver (1952); Lou Donaldson (1952); Elmo Hope (1953); and Frank Foster (1954). All of these recordings were released as part of Blue Note Record's 5000 Modern Jazz Series, all on 10-inch ...
New Faces - New Sounds
by C. Michael Bailey
The jazz name Wynton Kelly is typically associated with other artists' endeavors, such as John Coltrane's Giant Steps (Atlantic, 1959), Miles Davis' Kind of Blue (Columbia, 1959) or Wes Montgomery's Smokin' at the Half Note (Verve, 1965), just to mention three landmark recordings. While he always seemed best cast in supporting roles, Kelly did have a ...
Grammy Winning Trumpeter, Composer, Producer, Arranger, Multi-Instrumentalist, Songwriter Michael Leonhart Spins Classic & Rare Blue Note Albums On April 21st At 7:30pm ET
Live from Leonhart's Lounge! Grab your favorite beverage, sit back and tune in as Michael Leonhart (of Michael Leonhart Orchestra and Steely Dan) “drops the needle" on some classic and rare Blue Note albums on April 21, 2020 at 7:30m ET. A virtual listening party As part of their ongoing monthly residency at Jazz Standard, the ...
Art Blakey & The Jazz Messengers: Just Coolin'
by Mike Jurkovic
Great moments play all over Just Coolin', the new archival Blue Note Art Blakey release from 1959, recorded at Rudy Van Gelder's studio with Lee Morgan, Bobby Timmons and Jymie Merritt. For a bit of history, let's just point out that Hank Mobley was returning to the tenor chair he held from 1951-56, but which had ...
Art Blakey & The Jazz Messengers: Just Coolin'
by Chris May
It is a truth universally acknowledged, that a man or woman in possession of a good quantity of Art Blakey albums, must be in want of a lot more. Previously unreleased albums are particularly enticing. So do not be fooled by the Reid Miles-inspired cover of Just Coolin': the disc is previously unissued. It presents Blakey ...
Kandace Springs: The Women Who Raised Me
by Peter J. Hoetjes
Cover albums tend to sort themselves pretty neatly into two separate bins. One is filled with tiresome stacks of uninspired music soon to be filed away and forgotten. The other, smaller pile is made up of those few in which the artist on the cover managed to do something more than parrot their predecessors. Those who ...
