Home » Search Center » Results: Blue Note Records
Results for "Blue Note Records"
Elvin Jones: Revival: Live At Pookie’s Pub
by Mike Jurkovic
No matter your format of choicethe deluxe 180g 3-LP set, streaming, or a 2-CD package--there is some serious, late '60s hard bop soul-searching happening on this eye-opening, mind-expanding, previously unreleased Revival: Live at Pookie's Pub. Elvin Jones cleared the cobwebs just two weeks after John Coltrane's passing and the resounding end to the classic ...
Elvin Jones: Revival: Live At Pookie’s Pub
by Chris May
A welcome addition to Elvin Jones' catalogue, the previously unissued 2 x CD / 4 x LP Revival: Live At Pookie's Pub was recorded in New York in July 1967. The gig was just two weeks after the passing of John Coltrane, with whom Jones had played from 1960 to 1966. Jones' quartet includes the gritty ...
Julian Lage: View With A Room
by Dan McClenaghan
View With A Room looks in on two generations of American guitarists; the younger generation is represented by Julian Lage, the leader of the effort, and the older generation by Bill Frisell, who sits in on seven of the ten original Lage tunes ("Echo" is co-written by Lage and the set's bassist Jorge Roeder).
Various Artists: Blue Note Re:imagined II
by Chris May
The second instalment of Blue Note Re:imagined comprises sixteen revamps of tunes from the label's back catalogue, newly recorded by a cohort of rising British soul, R&B and, listed last here for a reason, jazz stars. On its own terms, it is a classy exercise, but the target market for this series is not traditional Blue ...
We Jazz Records: Finland's indie label shaking up the global conversation
by Rob Garratt
The past decade's genre-bending jazz renaissance has been well-documented, but between the trailblazing players taking improvised music to increasingly hip places, and the ever-growing audience queuing up to hear them, sits the homegrown labels bottling these brave, thrilling (r)evolutions for all to hear. In conversations about the state of jazz today, it's often easier to distil ...
Sheila Jordan, Jazz Legend, At Jimmy's In Portsmouth, September 11, 2022
On Sunday, September 11, at Jimmy's Jazz & Blues Club in Portsmouth, New Hampshire the Seacoast Jazz Society, a nonprofit organization dedicated to fostering jazz music and jazz education, will host a special evening event and performance to honor legendary jazz singer, Sheila Jordan. Jordan’s career began in the 1950s. Today she still performs all over ...
Pori Jazz 2022
by Rob Garratt
Pori Jazz 2022 Kirjurinluoto Concert Park Pori, Finland July 14-16, 2022 If this year's 55th annual Pori Jazz festival had a moment," it was when Immanuel Wilkins invited Shabaka Hutchings to the stage as a surprise guest for a dazzling 14-minute duet that capped the former's spellbinding set, ...
Charles Lloyd: Trios: Chapel
by Dan McClenaghan
Blue Note Records has a history of boasting strong stables of players. In the 1950s and 60s, we could look to Art Blakey and the Jazz Messengers, trumpeter Lee Morgan, pianist Herbie Hancock, saxophonist Wayne Shorter--and if ever there was an incomplete list compiled, that one is it. Time rolls on. Twenty years (or thereabouts) into ...
Results for pages tagged "Blue Note Records"...
Hank Mobley
Born:
As one of the founding members of the original Jazz Messengers, tenor saxophonist Hank Mobley was part of a brilliant innovation. Bebop's second generation of players had pulled the music into a tailspin of virtuosity. But there was a new inspirational sound taking hold, with roots in gospel and blues. By combining the best of bebop with the soulful new thing springing up, Horace Silver, Art Blakey, Kenny Dorham, Hank Mobley and Doug Watkins fashioned a sound with a percussive, street feel inspired by the hot steam grates and pavement they walked, the propulsive drive of the lives they were leading. Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark
Joel Ross: The Parable Of The Poet
by Chris May
The story of jazz is part musical and part social, the two strands interacting to shape, on one hand, the sound we hear and, on the other, the demographic who make it and constitute its audience. Viewed from London, the semiology surrounding New York-based vibraphonist Joel Ross' octet, heard on his third Blue Note album, The ...



