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MUSICIAN Born:

Bix Beiderbecke

As a boy, Bix Beiderbecke had a few piano lessons, but he was self-taught on cornet and developed an unorthodox technique by playing along with recordings. His family disapproved of his interest in jazz and sent him to Lake Forest Academy in 1921, but the opportunity to play and hear jazz in nearby Chicago caused frequent truancy and eventually his expulsion. After several months working for his father in Davenport, he turned to a career in music. Based in Chicago, he became known through his playing and recordings with the Wolverines in 1924. In the same year, he began a long association with Frankie Trumbauer , recording with him in New York; after working with Jean Goldkette's dance band (1924), he played with Trumbauer's group in St

ARTICLE: ALBUM REVIEW

Pete Malinverni & Juliet Kurtzman: Candlelight: Love In The Time Of Cholera

Read "Candlelight: Love In The Time Of Cholera" reviewed by Pierre Giroux

Gabriel García Márquez is a Columbian author whose novel Love In The Time Of Cholera forms part of the title of this duo recording by jazz pianist Pete Malinverni and classical violinist Juliet Kurtzman. The theme of the novel is about love found, lost and found again, while the musical program presented here keeps the love ...

ARTICLE: INTERVIEW

Mauro Ottolini: Nel cuore pulsante di Storyville

Read "Mauro Ottolini: Nel cuore pulsante di Storyville" reviewed by Paolo Marra

Con il disco Storyville Story, prodotto dall'etichetta Parco della Musica Records, Mauro Ottolini ci riporta nel cuore pulsante della vita artistica di New Orleans facendoci rivivere lo spirito esuberante della tradizione del jazz degli anni'20 del secolo scorso. L'album, registrato dal vivo ad Orvieto e Perugia tra fine 2018 ed estate 2019, vede Fabrizio Bosso come ...

ARTICLE: BOOK REVIEW

Bix

Read "Bix" reviewed by Mark Sullivan

Bix Scott Chantler 254 Pages ISBN: #9781501190780 (13) Gallery 13 2020 Leon Bismark “Bix" Beiderbecke's brief life has all of the hallmarks of a romantic legend. Wrote and recorded some of the landmark music in the early history of jazz; inspired a generation of soloists; overcame obstacles, including ...

ARTICLE: UNDER THE RADAR

The Archive of Contemporary Music

Read "The Archive of Contemporary Music" reviewed by Karl Ackermann

In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...

ARTICLE: UNDER THE RADAR

Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II

Read "Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II" reviewed by Karl Ackermann

Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...

ARTICLE: INTERVIEW

Enrico Rava: ottanta anni suonati

Read "Enrico Rava: ottanta anni suonati" reviewed by Daniele Vogrig

Viaggi, concerti, aneddoti. Soprattutto, tanta musica. In occasione dell'unica tappa romana del suo 80th Anniversary World Tour presso l'Aula Magna della Sapienza abbiamo incontrato Enrico Rava, che ha ripercorso per i nostri lettori i momenti salienti della sua lunga carriera. All About Jazz: Partiamo dal tour celebrativo dei tuoi ottanta anni. Accanto a te ...

ARTICLE: UNDER THE RADAR

Jazz Societies, Part I: The Skipp Pearson Jazz Legacy Foundation

Read "Jazz Societies, Part I: The Skipp Pearson Jazz Legacy Foundation" reviewed by Karl Ackermann

Part 1 | Part 2 The oral history traditions of West African griots led the preservation and interpretation of music that would become the fundamentals of jazz. In previous Under the Radar columns we looked at institutions that further the cause of safeguarding the genre; university-level academic programs and jazz museums whose hands-on experiences, ...

The Black Swan: A History of Race Records

Read "The Black Swan: A History of Race Records" reviewed by Karl Ackermann

Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...

Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême

Read "Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême" reviewed by Karl Ackermann

The newly opened Théatre des Champs-Elysées was sold out on the night of May 29, 1913. The well-heeled Parisian audience had come to enjoy the much-anticipated premiere of Igor Stravinsky's “Rite of Spring" which featured the choreography of the acclaimed Russian ballet dancer Vaslav Nijinsky. Some accounts of what transpired that night appear to be exaggerated. ...


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