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182

Article: Album Review

Ken Peplowski: Noir Blue

Read "Noir Blue" reviewed by Martin Longley


In his liner notes, saxophonist/clarinetist Ken Peplowski reveals that after hitting fifty, he had no desire to make albums that are going through the motions of record company requirements. Not that such bodies are lately in a position to demand anything. He now intends to make recordings when the inspiration is strong and when the circumstances ...

1,138

Article: Interview

Nels Cline: Of Singers and Sound

Read "Nels Cline: Of Singers and Sound" reviewed by Rex  Butters


Mimi Melnick's Salons feature some of Los Angeles' best improvising musicians in the most intimate of settings--her home, at the top of a hillside overlooking the San Fernando Valley. This afternoon's trio tunes, and tests sound levels. Bass wizard and longtime UCLA professor Roberto Miranda banters with veteran drummer Bert Karl, while the group's lanky guitarist, ...

208

Article: Album Review

Ken Greves: The Face Of My Love

Read "The Face Of My Love" reviewed by Raul d'Gama Rose


On The Face of My Love, countertenor Ken Greves answers what could well be an eternal question: Why make another album about love? And he does so emphatically: Because there may be a more complete way to tackle its rainbow of moods and feelings. It is very possible that no one in recent memory has gotten ...

251

Article: Album Review

Sarah Manning: Dandelion Clock

Read "Dandelion Clock" reviewed by Dan Bilawsky


Abstraction and accessibility isn't an easy match, but alto saxophonist Sarah Manning weds the two with fine results on Dandelion Clock. Manning's desire to create “a working, stable group that through rehearsals and philosophy lives and breathes on stage as a musical unit," is largely achieved with this quartet, featuring bassist Linda Oh, pianist Art Hirahara ...

912

Article: Interview

Larry Willis: Reaching and Teaching

Read "Larry Willis: Reaching and Teaching" reviewed by Russ Musto


In a career spanning five decades, Larry Willis has amassed one the most impressive resumes in jazz, including tenures with Jackie McLean, Hugh Masekela, Joe Henderson, Woody Shaw, Stan Getz, Carla Bley, Roy Hargrove, Jimmy Cobb's So What Sextet and Jerry Gonzalez and the Fort Apache Band, testifying to the high esteem in which he is ...

205

Article: Album Review

Michael Janisch: Purpose Built

Read "Purpose Built" reviewed by Edward Blanco


A relative newcomer on the international jazz scene, Michael Janisch is an American bassist currently living in London and making his debut recording with the very impressive Purpose Built, a potent selection of eight original composition and four familiar jazz standards. Janisch offers a diverse repertoire of melody-rich, sophisticated charts in a musical palette of essentially ...

246

Article: Album Review

Ehud Asherie featuring Harry Allen: Modern Life

Read "Modern Life" reviewed by Raul d'Gama Rose


It is rare indeed to discover a young pianist, so obviously neither a baby nor a Baby Boomer, who is steeped in the history and tradition of American music from the turn of the twentieth century onwards. To find he can write a mean blues is a wonder and more than a joy to hear. To ...

446

Article: Album Review

Wellstone Conspiracy: Motives

Read "Motives" reviewed by John Barron


The Wellstone Conspiracy is a collective venture for four of the more prolific jazz musicians residing in the Northwest region of the United States. The group consists of Idaho-based saxophonist Brent Jensen and from Seattle, pianist Bill Anschell, bassist Jeff Johnson and drummer John Bishop. The quartet, previously heard together on Jensen's One More Mile (Origin, ...

315

Article: Album Review

Ken Peplowski: Noir Blue

Read "Noir Blue" reviewed by Raul d'Gama Rose


Ken Peplowski has much to say; not in the sense that he jabbers incessantly, as many men with horns (and embouchures for hire) sometimes do. However, in erudite and leaping ululations, and in warm, wafting glissandos he sings of the gaiety and sadness of life. This he does through clarinet or tenor saxophone, depending on the ...

570

Article: Multiple Reviews

Sopla, Andrea Brachfeld! Blow!

Read "Sopla, Andrea Brachfeld! Blow!" reviewed by Javier AQ Ortiz


A visit to a New York afterhours dive during the heyday of salsa in the mid 1970s would most likely afford the chance to see charanga groups such as Típica Novel, Orquesta Broadway or Charanga 76, furiously competing against each other-- with flutist Andrea Brachfeld holding her own among a bunch of hardcore characters, musical and ...


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