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Results for "Billy Strayhorn"
John Stowell / Dave Liebman: Blue Rose (2013)
by Victor L. Schermer
In the search for enriched jazz expressiveness, the duet format has been revived, giving the musicians greater space for improvising than a larger group and avoiding the overpowering influence of a rhythm section, while affording an opportunity to engage personalities and “swap notes" with another whose ideas and style are of special interest. Iconic saxophonist Dave ...
Craig Yaremko Organ Trio: CYO3
by Dan Bilawsky
When saxophonist Craig Yaremko was in college at the New School, one of his mentors--the esteemed Jane Ira Bloom--heard him playing with an organ group. Right then and there she said, “Craig, your sound was made to play with an organ trio." Now, more than a decade later, Yaremko is proving her right. ...
John Stowell/Dave Liebman: Blue Rose
by Dan McClenaghan
Saxophonist Dave Liebman joined guitarist John Stowell and bassist Don Thompson on three tunes on Stowell's The Banff Sessions (Origin Records, 2002). More than a decade later, Stowell and Liebman have teamed up on a duo outing, Blue Rose. The two artists' take on a bunch of jazz standards and Great American Songbook tunes has a ...
University of North Texas One O'Clock Lab Band: Lab 2013
by Jack Bowers
The University of North Texas is situated in Denton, a city of roughly 120,000 less than an hour's drive northwest from Dallas / Fort Worth. To students at UNT as well as its year-round residents, Denton is home, even if in the former case a home away from home. And speaking of home, the university is ...
Christine Jensen: Impressionism
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I was first exposed to alto saxophonist Christine Jensen through working with her trumpet playing sister Ingrid Jensen. We played some of her music, which really struck me as direct, mature, grounded and highly creative. Later on I got to meet ...
Mariano Loiacono Noneto: Hot House
by Jakob Baekgaard
Bigger isn't necessarily better, but there's no denying that the expanded line-up of the nonet is a format that adds new nuances to the Argentinian trumpeter Mariano Loiacono. Loiacono is one of the mainstays on Justo Lo Prete's Rivorecords and has previously released the excellent What's New? (Rivorecords, 2011) and Warm Valley (Rivorecords, ...
Markus Gottschlich: Of Places Between
by Dan Bilawsky
Pianist Markus Gottschlich is anything but a traditionalist, yet tradition, or more accurately, traditions, play a major role in his music; he doesn't believe that a single tradition must be addressed in isolation. In Gottschlich's world, songo and samba can meet and marry ("Invitation"), Billy Strayhorn's music can stray a bit, taking a detour to Jamaica ...
Jimmy Ponder: His Recorded Output
by Colter Harper
Jazz history has been intimately tied to its recorded output. Styles and genres are defined by landmark records, which stand responsible for representing the diffuse activities and artistic visions of a given musical community or individual. However, recordings are not simply glimpses of past musical realities but rather images of those realities filtered through various “lenses." ...
Ryan Keberle: Multicolored Tapestry
by R.J. DeLuke
Ryan Keberle is a musician with open ears, who listens to all kinds of music with the attitude that in most cases something can be learned from it. He listens as a fan and as a musician. It can be just to enjoy rock, alternative, pop, R&B or blues. But there might be a kernel of ...
Roberto Magris: Ready for Reed
by Jack Bowers
Italian-born Pianist Roberto Magris, never one to let labels stand in the way of tasteful and invigorating music, skates from funk to fusion, blues to bop and even ballads on this prismatic album with guest alto Sam Reed, a longtime trouper on the Philadelphia scene who cut his musical teeth with the likes of trumpeter Ted ...
