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News: Recording

For Your Grammy Consideration - Dean Brown's "ROLAJAFUFU"

For Your Grammy Consideration - Dean Brown's "ROLAJAFUFU"

Contemporary Instrumental Album: ROLAJAFUFU Best Improvised Jazz Solo: “PHILLY MAN" Best Instrumental Arrangement: “AND SO IT GOES" Best Instrumental Composition: “OLD SOLDIERS" Guitarist and composer Dean Brown has always done things his way. Nowhere is that in greater evidence than on ROLAJAFUFU, his fifth album as a leader. The title ...

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Article: Live Review

European Jazz Conference 2016

Read "European Jazz Conference 2016" reviewed by Ian Patterson

by Ian Patterson

European Jazz Conference 2016 National Forum of Music Wroclaw, Poland September 22-25, 2016 We have two ears and only one mouth so perhaps we should listen more than we speak. This old maxim is often credited to Hellenistic philosopher Zeno of Citrium, though who's to say he didn't ...

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Article: Album Review

Milt Jackson: Sunflower / Goodbye

Read "Sunflower / Goodbye" reviewed by Jakob Baekgaard

by Jakob Baekgaard

Even if vibes player Milt Jackson had just played with The Modern Jazz Quartet and not embarked on a solo career, his place in jazz history would be secure. However, Jackson was much more than a vital part of the famous chamber jazz group and he recorded a string of excellent albums, including three sessions as ...

Article: Album Review

John Scofield: Country for Old Men

Read "Country for Old Men" reviewed by Maurizio Comandini

by Maurizio Comandini

La vita spesso sa essere molto crudele. Nella sua lunga parabola artistica il chitarrista John Scofield, nato a Dayton (Ohio) nel dicembre del 1951, ha avuto numerose soddisfazioni di grande spessore, dalle esperienze come sideman nei gruppi di Charles Mingus, Miles Davis, Chet Baker, George Duke, Joe Henderson, Billy Cobham ed Herbie Hancock, per citare solo ...

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Article: Album Review

John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987

Read "Paco and John - Live at Montreux 1987" reviewed by John Kelman

by John Kelman

It's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words “fusion," “jazz-rock" and/or ...

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Article: Profile

Claude Nobs: We All Came Out To Montreux...

Read "Claude Nobs: We All Came Out To Montreux..." reviewed by Ian Patterson

by Ian Patterson

Montreux Jazz Festival is fifty. It's a significant milestone and cause for celebration. No doubt there will be an added festive element to this year's edition of the festival, founded by Claude Nobs--along with pianist Géo Voumard and writer René Langel--in 1967. Yet for many, the celebrations will be tinged with sadness due to the absence ...

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Article: Reassessing

Black Market

Read "Black Market" reviewed by Jeff Winbush

by Jeff Winbush

As Weather Report returned to the studio to cut their next album the band was yet again in flux. Gone from 1975's Tale Spinnin' line up were percussionist Alyrio Lima and drummer Ndugu Leon Chancler. Zawinul explained the latest comings-and-goings in a 1976 interview, “We're always happy with the group, because if we're not ...

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Article: Album Review

Arnold Ludvig Sextet: Iceland

Read "Iceland" reviewed by Dave Wayne

by Dave Wayne

Situated in the North Atlantic, roughly equidistant from Scotland, Norway, and Iceland, the Faeroe Islands are one of the last places one would expect to find a thriving international jazz scene populated with world-class improvisers and a record label dedicated to documenting all of the action. Tutl Records, founded in 1977 by the Danish jazz musician ...

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Article: Album Review

Alfredo Dias Gomes: Looking Back

Read "Looking Back" reviewed by Jim Olin

by Jim Olin

Alfredo Dias Gomes pays an exquisite homage to the greats that inspired him throughout his career in his album Looking Back, a labor of love to Chick Corea, Stanley Clarke, Billy Cobham, and more. His powerful drum beats match every saxophone note and guitar riff. Gomes also bravely adds his signature drum exhibitions to his heroes' ...

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Article: Album Review

John Blevins: Matterhorn

Read "Matterhorn" reviewed by Dave Wayne

by Dave Wayne

Back in the 1960s, when the music now commonly known as fusion was called “jazz-rock," the earliest bands to get plastered with said label were essentially funk and rock rhythm sections--guitar, bass, keys and drums, plus or minus congas--with a lead singer and a jazzy horn section tacked on. Think Blood Sweat and Tears, or Tower ...


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