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Bill Laswell's M.O.D. Technologies Presents Helio Parallax Featuring A Line-up Of Distinctive Guest Artists - Plus Record Release Party
With pioneering explorations in time and space, Helio Parallax presents a sound deeply rooted in spiritual expression. It is true analog electronic music (no laptops) with cinematic landscapes (think Blade Runner meets Miles Davis’ Elevator To The Gallows sound track) anchored by deep, dub/hip-hop beats - an atmospheric landscape coined “Sci-Fi Dub Noir.” Josh Werner (Wu ...
Colin Edwin - Lorenzo Feliciati: Twinscapes
by John Ephland
From the bottom up, Twinscapes is a long time coming, and not just for bass players. Sonically, this 11-track suite plays on your ears and mind in ways that can defy gravity, combining soft audial touches to go along with earthy funk, the residue left a kind of smoke that lingers but filters, inevitably it seems, ...
Colin Edwin - Lorenzo Feliciati: Twinscapes
by Glenn Astarita
Bassists Colin Edwin (Porcupine Tree) and Lorenzo Feliciati (Naked Truth, Beserk!) and several prominent guest artists venture towards the constellations via these bass-driven jaunts, shaded with streaming electronics, firm backbeats, and wraithlike soundscapes. Shortly after the first listen, I detected a kinship to bassist/producer Bill Laswell's early, bass- heavy ambient electronica outings and soon noticed that ...
Bernie Worrell's First Ever Solo Piano CD Released On M.O.D. Technologies - Elevation, The Upper Air
Bernie Worrell, keyboard legend, founding member and essential collaborator / composer / arranger in George Clintonʼs Parliament/Funkadelic, has worked with an extremely diverse array of artists - Talking Heads, Bootsy Collins, The Rolling Stones, Lee ”Scratch” Perry, Black Uhuru, Fela Kuti, Burning Spear, Pharoah Sanders, Buddy Guy, Sly & The Family Stone, Mos Def, Albert King, ...
Bassists Lorenzo Feliciati And Colin Edwin Join Forces On Twinscapes Powerful Debut Release Scheduled For March On Rarenoise
Two bassists from two different continents—Italian Lorenzo Feliciati of the adventurous jazz-rock band Naked Truth and the intensely searching nu jazz group Berserk! and Australian Colin Edwin of the longstanding prog-rock band Porcupine Tree and the heavy-duty, experimental Metallic Taste of Blood as well as Ex-Wise Heads and Burnt Belief—come together to make one potent statement ...
Mumpbeak: Mumpbeak
by Glenn Astarita
When considering most instances of progressive rock, Mumpbeak is a horse of a different color. With four world- class bassists, chiefly performing on alternating tracks, and keyboardist Roy Powell's unearthly sound-shaping mechanisms garnered from an electronically souped-up Hohner clavinet, the band brashly merges a doomsday panorama with insurrectionary tactics. King Crimson drummer ...
Take Five With Willie Oteri
by AAJ Staff
Meet Willie Oteri: An anomaly in the music world having survived tragedy and financial hardship that forced him to quit music as a profession during the early part of his career, Willie Oteri has come back to music. With a small budget he released two well-received blues/rock albums in the late '90s before moving to ...
Produced By Bill Laswell, Mumpbeak, Self-Titled Debut On Rarenoise Features All-Star Cast
New York - It is safe to say that you have never before heard anything quite like Mumpbeak. Throbbing with intensity and a sense of mystery and searching on each track and imbued with undeniable virtuosity, this powerhouse outing is a significant extension of the prog-rock legacy established by the likes of King Crimson, Yes, EL&P, ...
Ornette Coleman / Bachir Attar / The Master Musicians of Jajouka: The Road to Jajouka
by Chris May
Jazz has been mixing it up with traditional Moroccan music for almost fifty years. Pianist Randy Weston was a pioneer in the late 1960s, followed by saxophonist Ornette Coleman in the early 1970s. A modern successor to those early adventurers is Boston's Club D'Elf, which describes itself as a Moroccan-dosed psychedelic dub and jazz collective." Club ...
Chris Kelsey & What I Say: The Electric Miles Project
by Jeff Dayton-Johnson
Trumpeter Miles Davis' post-Bitches Brew (Columbia, 1970), pre-hiatus (1975-1981) electric music--dense, loud, dark, funky, vast--has posed problems for musicians. The Yo Miles! collective, led by trumpeter Wadada Leo Smith and guitarist Henry Kaiser, gamely approached it as a repertoire: these are songs, they seemed to say; let's just play them (and so they did, on albums ...


