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Article: Album Review

Carl Michel: Music in Motian

Read "Music in Motian" reviewed by Mike Jurkovic

by Mike Jurkovic

Late drummer, texturalist, bandleader, and composer Paul Motian holds a revered space in the post-bop of the last half century. From early stints with Lennie Tristano and Coleman Hawkins to his seared-into-legend work with Bill Evans on Sunday at the Village Vanguard (Riverside Records, 1961), and Waltz for Debby (Riverside Records, 1962)); through his fiery live ...

10

Article: Album Review

Matthew Shipp: Zero

Read "Zero" reviewed by Mark Corroto

by Mark Corroto

There has always been a connection between Thelonious Monk and Matthew Shipp, just not in the music they play. Monk, a student of Harlem stride piano, was present at the birth of bebop. Shipp, born in 1960, has always been associated with the avant-garde, free jazz and improvisation. The connection between the two pianists is their ...

5

Article: Live Review

Jazz at Lincoln Center Orchestra with Wynton Marsalis and Chick Corea at the Kimmel Center

Read "Jazz at Lincoln Center Orchestra with Wynton Marsalis and Chick Corea at the Kimmel Center" reviewed by Victor L. Schermer

by Victor L. Schermer

Jazz at Lincoln Center Orchestra with Wynton Marsalis and Chick Corea The Music of Thelonious Monk Kimmel Center for the Performing Arts Academy of Music Philadelphia, PA April 8, 2018 In the words of Robin Kelley, Thelonious Monk's definitive biographer, Monk was “An ...

9

Article: Interview

Camille Bertault: Unity in Diversity

Read "Camille Bertault: Unity in Diversity" reviewed by Ludovico Granvassu

by Ludovico Granvassu

On her striking new album, Pas de géant ["Giant Steps" in French -Ed.], Camille Bertault confirms all the qualities that her debut release, En Vie, had showcased three years ago. For her sophomore release, the French singer doubles down with an eclectic repertoire, a stellar line-up and the production and arrangements written by Michael Leonhart with ...

Article: Album Review

Camille Bertault: Pas de Géant

Read "Pas de Géant" reviewed by Angelo Leonardi

by Angelo Leonardi

Dopo aver dimostrato col debutto di En Vie (Sunnyside 2016) d'essere una splendida jazz singer, e non solo, l'acrobatica vocalist Camille Bertault libera la sua eclettica personalità, dando sfogo alle molte passioni e influenze formative. Il titolo del suo secondo album allude ovviamente al celebre tema di John Coltrane (qui rinominato «Là où tu vas»), «Giant ...

Article: Live Review

Camille Bertault allo Spazio Alfieri di Firenze

Read "Camille Bertault allo Spazio Alfieri di Firenze" reviewed by Neri Pollastri

by Neri Pollastri

Spazio Alfieri Firenze 28.4.2018 Brillantissima cantante francese poco più che trentenne, Camille Bertault è stata celebrata un po' in tutto il mondo dopo l'uscita, due anni fa, del suo album d'esordio En vie, ma era diventata famosa ancor prima per i suoi video online nei quali reinterpretava vocalmente brani di John ...

5

Article: Album Review

Pablo Held Trio: Investigations

Read "Investigations" reviewed by Roger Farbey

by Roger Farbey

The complex title perfectly characterises Pablo Held's compositional approach. Here he utilises light and shade to mix swathes of tranquillity with petulant stabbing phrases accompanied by equally sharp drum retorts. However, and this is crucial, the piece flows together seamlessly. The lissome nature of “Dr Freeds" betrays an influence of Bill Evans but the ...

5

Article: Album Review

Roberta Piket: West Coast Trio

Read "West Coast Trio" reviewed by Victor L. Schermer

by Victor L. Schermer

This album brings together New York-based pianist Roberta Piket with two outstanding musicians from the Los Angeles area: bassist Darek Oleszkiewicz and drummer Joe La Barbera. Hence the title “Roberta Piket: West Coast Trio." To spice things up, Piket brought along her long-time cohort Billy Mintz on percussion on one track, and special guest guitarist Larry ...

8

Article: Album Review

Jeff Cosgrove / Scott Robinson / Ken Filiano: Hunters & Scavengers

Read "Hunters & Scavengers" reviewed by Mark Corroto

by Mark Corroto

In the 1980s, artist Jenny Holzer created short, pithy statements projected by LED lights in museums and onto Times Square. Her now famous “Abuse of Power Comes As No Surprise" text sums up not only the #MeToo movement and the #BlackLivesMatter cry, but also to some extent, the music industry. The vertical construction of many jazz ...

7

Article: Album Review

Miles Davis: Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6

Read "Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6" reviewed by Mike Jurkovic

by Mike Jurkovic

As discussed at length in the liners by Ashley Kahn, the general consensus at the time (and a theory Miles' held strongly too) was that his landmark Quintet --Miles Davis, John Coltrane, bassist Paul Chambers, drummer Jimmy Cobb and flight fingered pianist Wynton Kelly--was on its last leg, and you could cut the personal and creative ...


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