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Miles Davis, John Coltrane: The Final Tour: The Bootleg Series, Vol. 6
by Maurizio Comandini
Quante volte avete sentito qualche appassionato affermare che Kind of Blue di Miles Davis è il miglior disco da consigliare ad un amico che vuole iniziare ad ascoltare il jazz? Bene, il consiglio è certamente pertinente, anche se ci sono ovviamente altri mille dischi che possono fungere da entry point. Con questo cofanetto di quattro CD ...
Carl Michel: Music in Motian
by Mike Jurkovic
Late drummer, texturalist, bandleader, and composer Paul Motian holds a revered space in the post-bop of the last half century. From early stints with Lennie Tristano and Coleman Hawkins to his seared-into-legend work with Bill Evans on Sunday at the Village Vanguard (Riverside Records, 1961), and Waltz for Debby (Riverside Records, 1962)); through his fiery live ...
Matthew Shipp: Zero
by Mark Corroto
There has always been a connection between Thelonious Monk and Matthew Shipp, just not in the music they play. Monk, a student of Harlem stride piano, was present at the birth of bebop. Shipp, born in 1960, has always been associated with the avant-garde, free jazz and improvisation. The connection between the two pianists is their ...
Jazz at Lincoln Center Orchestra with Wynton Marsalis and Chick Corea at the Kimmel Center
by Victor L. Schermer
Jazz at Lincoln Center Orchestra with Wynton Marsalis and Chick Corea The Music of Thelonious Monk Kimmel Center for the Performing Arts Academy of Music Philadelphia, PA April 8, 2018 In the words of Robin Kelley, Thelonious Monk's definitive biographer, Monk was “An ...
Camille Bertault: Unity in Diversity
by Ludovico Granvassu
On her striking new album, Pas de géant ["Giant Steps" in French -Ed.], Camille Bertault confirms all the qualities that her debut release, En Vie, had showcased three years ago. For her sophomore release, the French singer doubles down with an eclectic repertoire, a stellar line-up and the production and arrangements written by Michael Leonhart with ...
Camille Bertault: Pas de Géant
by Angelo Leonardi
Dopo aver dimostrato col debutto di En Vie (Sunnyside 2016) d'essere una splendida jazz singer, e non solo, l'acrobatica vocalist Camille Bertault libera la sua eclettica personalità, dando sfogo alle molte passioni e influenze formative. Il titolo del suo secondo album allude ovviamente al celebre tema di John Coltrane (qui rinominato «Là où tu vas»), «Giant ...
Camille Bertault allo Spazio Alfieri di Firenze
by Neri Pollastri
Spazio Alfieri Firenze 28.4.2018 Brillantissima cantante francese poco più che trentenne, Camille Bertault è stata celebrata un po' in tutto il mondo dopo l'uscita, due anni fa, del suo album d'esordio En vie, ma era diventata famosa ancor prima per i suoi video online nei quali reinterpretava vocalmente brani di John ...
Pablo Held Trio: Investigations
by Roger Farbey
The complex title perfectly characterises Pablo Held's compositional approach. Here he utilises light and shade to mix swathes of tranquillity with petulant stabbing phrases accompanied by equally sharp drum retorts. However, and this is crucial, the piece flows together seamlessly. The lissome nature of “Dr Freeds" betrays an influence of Bill Evans but the ...
Roberta Piket: West Coast Trio
by Victor L. Schermer
This album brings together New York-based pianist Roberta Piket with two outstanding musicians from the Los Angeles area: bassist Darek Oleszkiewicz and drummer Joe La Barbera. Hence the title “Roberta Piket: West Coast Trio." To spice things up, Piket brought along her long-time cohort Billy Mintz on percussion on one track, and special guest guitarist Larry ...
Jeff Cosgrove / Scott Robinson / Ken Filiano: Hunters & Scavengers
by Mark Corroto
In the 1980s, artist Jenny Holzer created short, pithy statements projected by LED lights in museums and onto Times Square. Her now famous “Abuse of Power Comes As No Surprise" text sums up not only the #MeToo movement and the #BlackLivesMatter cry, but also to some extent, the music industry. The vertical construction of many jazz ...
