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Un Poco Loco – The Intensity of Bud Powell (1946 - 1953)
by Russell Perry
Mentored by Thelonious Monk, Bud Powell became the first great piano innovator of bebop. “It would be hard to overstate Powell's impact. His ingenious technique and originality as an improviser and composer established the foundation for all pianists to follow. Long after bop had faded, Powell remained a source of inspiration for pianists as varied as ...
Omar Sosa: Building Bridges Not Walls
by Duncan Heining
Cuban-born pianist, Omar Sosa is a passionate man. Music, religion, family, his relationship to the planet—all these are inseparable to an artist whose musical world is steeped in the Afro-Cuban heritage that he draws upon so personally and individually in his work. Spinning culinary metaphors to describe the processes of music-making, he sings the praises of ...
Jeff Williams: Bloom
by Roger Farbey
In a new departure, Jeff Williams has forsaken the quartet, quintet or sextet configurations of his previous four albums for Whirlwind in favour of this very convincing trio format. In tandem with this slimmed-down enterprise, he's employed a pianist and composer who is undoubtedly a rising star of jazz. Carmen Staaf graduated with a joint degree ...
Denny Zeitlin: Balancing Act
by Ken Dryden
Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for ...
Craig Fraedrich Tony Nalker: Alone Together
by Nicholas F. Mondello
An involved listening to this oxymoron-titled album could easily have one thinking that trumpeter Craig Fraedrich and pianist Tony Nalker probably could have been categorized by Audobon as “birds of a musical feather." That's not a surprise since both spent decades in the elite U.S. Army Blues Jazz Ensemble and they've worked together on Fraedrich's previous ...
Larry Koonse: New Jazz Standards, Vol. 4
by Dan Bilawsky
This fourth volume in a series of recordings saluting and promoting the music of trumpeter Carl Saunders is every bit as sophisticated and attractive as its predecessors. Guitarist Larry Koonse leads the way through a dozen songs with supreme style and grace, comfortably placing this collection right next to earlier Saunders sets helmed by flutist Sam ...
Bill Evans in England, 1969
The year 1969 was a busy one for pianist Bill Evans. In January and March, Evans with bassist Eddie Gomez and drummer Marty Morell recorded What's New with flutist Jeremy Steig. In February, the trio was recorded furtively at New York's Village Vanguard (The Secret Sessions). Then they moved on to Holland in March (Live In ...
Take Five with Maria Muldaur
by AAJ Staff
About Maria Muldaur Maria Muldaur is best known for “Midnight At The Oasis," though she has toured extensively worldwide for over four decades, and has released 41 albums covering all stripes of American Roots Music, including Gospel, R&B, Jazz and Big Band, as well as several award-winning children's albums. Often joining forces with other ...
Carlo Mombelli: Angels and Demons
by Seton Hawkins
One of music's criminally underrated geniuses, South African electric bassist and composer Carlo Mombelli has carved out a most extraordinary performing and writing career in music. Throughout his four decades as a performer, Mombelli has forged one of the most distinctive electric bass approaches in Jazz, established himself as South Africa's most exceptional composer, and has ...
Bebop’s Twin: Rhythm and Blues (1939 - 1951)
by Russell Perry
Some of the same forces that launched Bebop as a break from Big Band Swing, also fueled the birth of Rhythm and Blues—the rise of independent labels in the wake of the recording ban of 1942— 1944, the economic infeasibility of touring with 16-member orchestras, the decline of dance halls in the aftermath of the war, ...
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