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Craig Fraedrich Tony Nalker: Alone Together
by Nicholas F. Mondello
An involved listening to this oxymoron-titled album could easily have one thinking that trumpeter Craig Fraedrich and pianist Tony Nalker probably could have been categorized by Audobon as “birds of a musical feather." That's not a surprise since both spent decades in the elite U.S. Army Blues Jazz Ensemble and they've worked together on Fraedrich's previous ...
Larry Koonse: New Jazz Standards, Vol. 4
by Dan Bilawsky
This fourth volume in a series of recordings saluting and promoting the music of trumpeter Carl Saunders is every bit as sophisticated and attractive as its predecessors. Guitarist Larry Koonse leads the way through a dozen songs with supreme style and grace, comfortably placing this collection right next to earlier Saunders sets helmed by flutist Sam ...
Bill Evans in England, 1969
The year 1969 was a busy one for pianist Bill Evans. In January and March, Evans with bassist Eddie Gomez and drummer Marty Morell recorded What's New with flutist Jeremy Steig. In February, the trio was recorded furtively at New York's Village Vanguard (The Secret Sessions). Then they moved on to Holland in March (Live In ...
Take Five with Maria Muldaur
by AAJ Staff
About Maria Muldaur Maria Muldaur is best known for “Midnight At The Oasis," though she has toured extensively worldwide for over four decades, and has released 41 albums covering all stripes of American Roots Music, including Gospel, R&B, Jazz and Big Band, as well as several award-winning children's albums. Often joining forces with other ...
Carlo Mombelli: Angels and Demons
by Seton Hawkins
One of music's criminally underrated geniuses, South African electric bassist and composer Carlo Mombelli has carved out a most extraordinary performing and writing career in music. Throughout his four decades as a performer, Mombelli has forged one of the most distinctive electric bass approaches in Jazz, established himself as South Africa's most exceptional composer, and has ...
Bebop’s Twin: Rhythm and Blues (1939 - 1951)
by Russell Perry
Some of the same forces that launched Bebop as a break from Big Band Swing, also fueled the birth of Rhythm and Blues—the rise of independent labels in the wake of the recording ban of 1942— 1944, the economic infeasibility of touring with 16-member orchestras, the decline of dance halls in the aftermath of the war, ...
Howard Riley: Live In The USA
by John Sharpe
This archival issue should further bolster British pianist Howard Riley's place among the top rank. Riley first came to prominence with the advent of his pioneering trio with bassist Barry Guy and various drummers including Tony Oxley, which extended yet further the egalitarian template first established by Bill Evans and Paul Bley. However Live In the ...
Piano in Solitude
by Geno Thackara
There are people who play the piano, and then there are some who create a whole other state of consciousness with it. While these three may not be among the more common household names in the jazz world, here they each offer a master class in the craft to make you wonder just why the hell ...
Nenette Evans: My Life With Bill
by Bruce Guthrie
Originally from Southern California, Nenette Evans met and married Bill Evans in 1973. Ms. Evans now handles the legendary pianist and composer's estate along with attorney Steven Lowy and others. She is also involved with the Bill Evans Piano Academy in Paris, France. I met Nenette through her friend Carol Baker and our work with the ...
Greg Reitan: West 60th
by Dan McClenaghan
Pianist Greg Reitan is based in Los Angeles, a good place to take advantage of the work he has found in film and television. He has also served up four previous top-shelf jazz trio recordings, beginning with his terrific debut, Some Other Time (2009), followed up by Antibes (2010), Daybreak (2011) and Post No Bills, all ...
