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Ralph Towner / Paolo Fesu: Chiaroscuro
by Martin Gladu
In a stuffed, empty room, rays of moonlight spill through a cobwebbed window and come licking a tired hardwood floor to the feet of an old, stiff chair. On it, the silhouette of a guitar; its strings, silent. At its side, a second chair with an embossed trumpet planted alongside a lonely music stand completes the ...
Larry Willis: Reaching and Teaching
by Russ Musto
In a career spanning five decades, Larry Willis has amassed one the most impressive resumes in jazz, including tenures with Jackie McLean, Hugh Masekela, Joe Henderson, Woody Shaw, Stan Getz, Carla Bley, Roy Hargrove, Jimmy Cobb's So What Sextet and Jerry Gonzalez and the Fort Apache Band, testifying to the high esteem in which he is ...
Take Five with Ralf Krebs
by AAJ Staff
Meet Ralf Krebs:The native Berliner began his musical career at the age of 11, taking lessons in drumming and latin percussion. He was much in demand as a drummer and percussionist in numerous local bands and counted amongst his influences Salsa, Fusion and the Jazz Rock of the 70s and 80s.His love ...
Peter Asplund: Asplund Meets Bernstein
by Chris Mosey
This reverent but highly accessible and creative tribute to Leonard Bernstein, by Swedish trumpeter Peter Asplund, will undoubtedly be a leading contender for his homeland's next Golden Record (Gyllene Skivan) award. It's the most important jazz album to emerge from the Nordic Area in a good long while. Asplund's collaboration with Mats Hålling--a ...
Ralph Bowen, Dan Pratt, Brandon Wright: Posi-Tone strikes gold again
by J Hunter
Traditional jazz does not have to be boring. It does not have to be staid, or re-fried or adhere to a formula concocted in a New Orleans barroom over nine decades ago. A lot of the large labels don't get that. Fortunately, the creative triumvirate at Posi-Tone Records not only understands this concept, but they practice ...
Keeping Up With The Joneses: The Jones Name In Jazz
by Dan Bilawsky
"What's in a name?"This question, written by Shakespeare and spoken from the mouth of his Juliet, really touches on an important line of thought. Juliet continued and said, “That which we call a rose by any other name would smell as sweet." While she was dealing with the Montague/Capulet issue, she sought to downplay ...
Paul Motian / Chris Potter / Jason Moran: Lost in a Dream
by Dan McClenaghan
Drummer Paul Motian seems to fit very comfortably into any musical situation, and elevate it. With a career that spans more than five decades--and seeming to begin at an early pinnacle with pianist Bill Evans' trio on the legendary Sunday at the Village Vanguard (Riverside Records, 1961)--Motian has, as a sideman, augmented musical visions galore. A ...
Michael Musillami Trio: Old Tea
by Nic Jones
Guitarist Michael Musillami composed the music for this program in the wake of his son Evan's death. The fact that it's measured and profoundly beautiful is testament to what music can do, and the fact that it's so superbly realized comes down to the fact that this trio is supremely empathetic. Five recordings to date are ...
Chuck Anderson: Guitar Reemergence
by Victor L. Schermer
Chuck Anderson's guitar artistry is a cut above the jazz standard. The quality of his execution is so fine that on first hearing, it is literally stunning. His recent CD, Freefall (Dreambox Media, 2010) consists of musical gems--all-original compositions, woven into a tapestry worthy of a master classical guitarist. Yet it is all straight-ahead mainstream jazz ...
The Musical Art of Jazz: Your Own Thing
by Chuck Anderson
Art or commercialism? It's almost always a problem to musicians and singers who pursue the jazz industry. We recognize it as an art but it has to make money to be a profession. Are these two concepts in conflict with each other or are they merely paradoxical? We know that anything can be marketed by the ...
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