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Miles Davis: We Want Miles (Bonus Track Version)
by Karl Ackermann
The audaciously titled We Want Miles has one of the more interesting histories in the catalog of trumpeter Miles Davis. Originally released by Columbia Records in 1982, it was not made widely available outside of Japan where it was recorded live in 1981. For those who managed to find it, it was both celebrated and vilified. ...
Christian Jacob: Beautiful Jazz: A Private Concert
by Dan Bilawsky
There was a time when pianist Christian Jacob thought he'd be making his mark as a classical pianist. That's perfectly understandable considering the fact that he was playing piano at age four and studying at the Metz conservatory at age six. By the time he was in college, studying at the Paris Conservatory, he was winning ...
Martin Wind Quartet: Turn Out the Stars
by Mark Corroto
Has an artist ever been characterized as a hopeful romantic? If not, then let us nominate Martin Wind, not as hopeless, but a bullish and inspiring romantic. His quartet and the 36- piece Orchestra Filarmonica Marchigiana tribute to pianist Bill Evans Turn Out The Stars marries his talents, both as a jazz bassist/bandleader and orchestral arranger. ...
Metastasio Jazz 2014
by Neri Pollastri
Teatro Metastasio e Teatro Fabbricone Prato 13.02, 27.02 e 03.03.2014 Seguendo la consuetudine degli ultimi anni, anche l'edizione 2014 di Metastasio Jazz--la rassegna pratese diretta da Stefano Zenni--si è articolata su tre date: un numero non ampio, ma sostanziato da proposte di altissimo livello. Il ...
Gerard D'Angelo: Who's Kidding Who?
by DanMichael Reyes
The old adage about those who can do and those who can't teach doesn't fit nicely into any music tradition. If this fallacy were to hold true, then it would be best for music history books to write off Joseph Haydn for taking on pupils--Beethoven being one of the more famous ones. That old idiom penned ...
Colin Vallon Trio: Le Vent
by John Kelman
When Bill Evans emerged in the 1950s, he represented a paradigm shift for the jazz piano trio. No longer a lead instrument supported by a rhythm section, Evans' more egalitarian approach to music-making allowed delineated soloists to engage in a more fully conversational context, with any instrument capable of pushing the music in a new direction ...
Bill Evans, Bob Brookmeyer: The Ivory Hunters
by Maurizio Zerbo
Solo nel jazz accadono simili incontri, dove le regole vengono stravolte. È il caso di questa seduta discografica del 1959, che vede entrare in sala di incisione un quartetto guidato da un pianista ed un trombonista. Grazie all'idea estemporanea del produttore, Bob Brookmeyer viene invitato a sedersi al pianoforte e ne discende un percorso davvero ragguardevole. ...
Vocalist/Pianist Patty Wicks: 1945-2014
Vocalist and pianist Patti Wicks, who divided her jazz life between New York and Florida for the past 40 years, recording several well-considered albums since the turn of the new century, died from heart failure March 7 in West Palm Beach, Fla. She was 69-years old. Wicks belonged to that rarefied group of performers that include ...
Mimi Jones: Balance
by Chris M. Slawecki
Balance is one of three new titles released in February 2014 by Hot Tone Music, the label founded by bassist/vocalist Mimi Jones. Hot Tone Music was created to give chances to those who may have been overlooked and denied the necessary support and knowledge to develop," Jones explains. Women are a big part of that group, ...
Raising Vision and Voice
by Chris M. Slawecki
Decades ago, Archie Shepp and Sun Ra were among the first musicians to expand their vision for the human voice beyond the traditional verse-chorus-verse song structure. Today, through digital sampling and other technology, musicians incorporate and manipulate the human voice in ways that even these two iconoclasts might not recognize. At the same time, the profound ...


