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22

Article: Year in Review

Dan McClenaghan's Best Releases of 2014

Read "Dan McClenaghan's Best Releases of 2014" reviewed by Dan McClenaghan

by Dan McClenaghan

It's that time to wrap it up and make some choices on the top jazz releases of the year. Here are my picks for the best of 2014, in no particular order, with the exception of the first listing, pianist Paul Bley's disc, which stands out. I do love piano jazz. Paul BleyPlay ...

7

Article: Album Review

Jim Norton Collective: Time Remembered: Compositions of Bill Evans

Read "Time Remembered: Compositions of Bill Evans" reviewed by Jack Bowers

by Jack Bowers

The late Bill Evans was so celebrated a pianist that even some partisans may overlook the fact that he was also a splendid composer with a number of oft-revisited jazz themes to his credit. Saxophonist / arranger Jim Norton hasn't forgotten, and has entrusted Time Remembered, his debut album as leader of the Jim Norton Collective, ...

65

Article: Album Review

Chris Lomheim: Timeline

Read "Timeline" reviewed by Edward Blanco

by Edward Blanco

Minnesota pianist Chris Lomheim in 2013 began applying for grants for the funding of a new project when he realized that 2014 would mark the twentieth anniversary of his very first trio CD And You've Been Waiting (IGMOD Records, 1994). As such, the pianist decided to move forward with or without grant funding and put together ...

20

Article: Album Review

Kendall Moore: Focus

Read "Focus" reviewed by Edward Blanco

by Edward Blanco

Chicago native Kendall Moore is a trombonist and composer currently pursuing a Doctorate degree in Jazz Performance from the University of Miami and has been part of South Florida's vibrant jazz scene for some time. Forging a career that has enabled him to perform with such icons as Dave Brubeck, McCoy Tyner, Ahmad Jamal, Jimmy Heath ...

24

Article: Album Review

George Hoar: Soul Sojourn

Read "Soul Sojourn" reviewed by Mark Sullivan

by Mark Sullivan

Bassist/pianist George Hoar has had extensive training and playing experience in jazz with Rufus Reid, Dave Samuels, Harold Mabern, Harvie S and Art Resnick. But his stylistic influences also include world music and Western concert music from the Renaissance and the Baroque, which are very much in evidence here. Hoar leads off the program on piano, ...

18

Article: Album Review

Nucleus with Leon Thomas: Live 1970

Read "Live 1970" reviewed by Bruce Lindsay

by Bruce Lindsay

Combine a British jazz-rock outfit with an American vocalist. Put them on stage at the 1970 Montreux Jazz Festival. Record the gig, pop the tapes in a safe place for over 40 years, then give them to the talented team at Gearbox Records. The result is Live 1970, by Nucleus With Leon Thomas, a beautifully produced, ...

6

Article: Live Review

Pat Martino Trio at Chris' Jazz Cafe

Read "Pat Martino Trio at Chris' Jazz Cafe" reviewed by Victor L. Schermer

by Victor L. Schermer

Pat Martino Trio Chris' Jazz Café Philadelphia, PA November 29, 2014 Over the years, Pat Martino's guitar artistry has been powerful and consistent, characterized by his precision, strong attack, uncanny mastery of the instrument, and hard rhythmic style honed in his apprenticeship with saxophonist Willis Jackson and ...

58

Article: Album Review

Keith Jarrett/Charlie Haden/Paul Motian: Keith Jarrett/Charlie Haden/Paul Motian: Hamburg '72

Read "Keith Jarrett/Charlie Haden/Paul Motian: Hamburg '72" reviewed by Karl Ackermann

by Karl Ackermann

Early on in Keith Jarrett's relationship with ECM (the label had released the solo Facing You in 1971), the pianist was recording for three different labels and dabbling in multiple group formations including this trio. In retrospect it's almost unimaginable that a better triad could have existed in comparison to that of Hamburg '72. Jarrett--adding flute, ...

45

Article: Extended Analysis

Keith Jarrett/Charlie Haden/Paul Motian: Hamburg '72

Read "Keith Jarrett/Charlie Haden/Paul Motian: Hamburg '72" reviewed by John Kelman

by John Kelman

With Sleeper: Tokyo, April 16, 1979 (2012) and Magico: Carta de Amor (2012), ECM Records began digging into its archives, unearthing two live recordings that revealed even more about a collection of artists whose reputations were already plenty secure as some of the label's most important from its early years--in the first case, pianist Keith Jarrett's ...

2

Article: Take Five With...

David Friesen e il Questionario di Proust

Read "David Friesen e il Questionario di Proust" reviewed by AAJ Staff

by AAJ Staff

All About Jazz: Il tratto principale della mia musica. David Friesen Melodie cantabili e progressioni armoniche inconsuete. AAJ La qualità che desidero nei musicisti che suonano con me. D.F. La capacità di ascoltare. AAJ Come musicista, il momento in cui sono stato più felice. ...


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