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Results for "Bill Evans"
PSYCHAUDIO: Connect
by Geno Thackara
Is the psych" in Psychaudio meant to imply psychedelia or something more scary like psychosis, you ask? The answer turns out to be bit--only a bit--of both. The New York City quintet doesn't go completely off the rails on their debut release, nor do they dive completely into trippy headspace. The lineup is that of a ...
Charles Rumback: Threes
by Glenn Astarita
Reared in Kansas and currently residing in Chicago, Charles Rumback has evolved into a go-to drummer these days, performing with proven progressive jazz and improvising warriors, trumpeter Ron Miles, saxophonist Tony Malaby and here, leading his piano trip captured live at the Windy City venue, Constellation. Rumback's lyrical beats and colorific shadings, along with John Tate's ...
Nate Birkey: Rome
by Victor L. Schermer
With this listenable and relaxed album, trumpeter Nate Birkey joins with four excellent musicians he hooked up with while playing in Italy to deliver a set of mostly ballads in his signature style with introspective improvising, empathic warmth, and minimal vibrato. His playing here is reminiscent of Bix Beiderbecke, one of Chet Baker's formative influences. The ...
Bill Anschell: Curiosity and Invention
by Paul Rauch
Bill Anschell strikes me as a man with boundless curiosity. You perceive this in conversation, in his sense of humor, the patient manner in which he listens on and off the bandstand. You sense it in his inventive compositions, the rhythmic complexity, and the musical conception that lyrically imprints an authentic sense of melody. His work ...
Gary Peacock: Tangents
by Mike Jurkovic
Throughout his storied career, bassist/composer Gary Peacock has gone a long way to make the bass an emotive and compelling solo instrument. Yet, when one looks back on--or better yet--listens back to the myriad of great recordings he has given us both as a sideman and leader, it is his emphatic, soul-intuitive, work within the piano ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York
by Karl Ackermann
Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...
Munir Hossn: Nuove suggestioni tra Africa e Brasile
by Angelo Leonardi
Nato nel 1981 in Brasile da padre libanese e madre brasiliana, Munir Hossn è uno dei più creativi musicisti e compositori sudamericani della sua generazione. Dotato di un talento precoce, all'età di 10 anni suonava professionalmente (principalmente batteria e chitarra) in differenti gruppi di Salvador, Bahia. Impegnato principalmente nella sintesi tra elementi tradizionali africani e brasiliani, ...
ENJOY JAZZ International Festival for Jazz and More 2017
by Henning Bolte
ENJOY JAZZ International Festival for Jazz and More Heidelberg/Mannheim/Ludwigshafen October 17-20, 2017 During fall Enjoy Jazz is the common thread running through the urban Rhine-Neckar-region in southwestern Germany. Unlike the fast-forward conveyor belt of musical acts whizzing past usually experienced at many jazz festivals, Enjoy Jazz covers a period of ...
We Four at Dazzle
by Geoff Anderson
We Four Dazzle Denver, CO October 21, 2017 The majority of Twentieth Century jazz was represented on stage at Dazzle Saturday night. Either the players were there, in person, or they were merely one degree of separation from the key action and the dominant personalities. History lessons can be nice, but ...
October Revolution in Jazz & Contemporary Music 2017
by Mark Corroto
October Revolution In Jazz & Contemporary Music FringeArts Philadelphia, PA October 5-8, 2017 The main venue for The October Revolution in Jazz & Contemporary Music was FringeArts, a renovated historic pumping station for Philadelphia's fire department located in the shadow of the Benjamin Franklin Bridge. It seats 240 ...


