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It's Trumpet Time with the Festival of New Trumpet at Vision Festival 16
Festival of New Trumpet makes its contribution to Vision Festival 16 and offers a detailed interview with Ted Daniel including this summary below. FONT: What is your relationship to King Oliver's playing? TD: King Oliver's improvisations were blues based, rhythmically intricate and his sound, which he constantly worked on, was highly personal and original. He was ...
Lineage and Vision Festival 16: June 5-11
So much of our experience is increasingly place-less as franchise smiles crafted by human resources consultants greet us daily no matter what the biome or weight of memory. The fast food smile and store floor uniform must ever be the same. Crowd counts displace quality practices with childlike aspirations toward some eternal Superbowl as the only ...
Wandering Visions: The 2011 Vision Festival
By Steve Dalachinsky “a paradise of flowers where peace might build her nest." —Percy Shelly For 16 years the Vision Festival has led a nomadic existence. Wandering from one venue to another, this brave band of Visionaries,which I am proud to be a part of, with the ever present, stalwart & persistent Patricia Nicholson Parker at ...
Experimentalism Otherwise
by Ian Patterson
Experimentalism OtherwiseBenjamin Piekut 283 pagesISBN: 978-0-520-26850-0University California Press2011 The historical scope of Benjamin Piekut's study of avowedly experimentalist music in Experimentalism Otherwise is confined to what Peikut tantalizingly describes as “four disastrous confrontations within the world of New York experimentalism in 1964." Nevertheless, ...
Jeff Kaiser / Kronomorphic / Keneally-Minnemann-Beller: San Diego, March 11, 2011
by Robert Bush
Jeff Kaiser / Kronomorphic / Keneally/Minnemann/BellerPorter's Pub, UCSDSan Diego, CAMarch 11, 2011 The Friday, March 11 show at Porter's Pub, organized by UCSD promoter Brian Ross, was a wild, kaleidoscopic affair. Featuring two Southern California-based creative improvising exponents with a rock-fusion headliner represented a certain degree of risk: would the ...
Bill Dixon - Intents and Purposes (RCA 1969, International Phonographic, 2011)
Trumpeter, composer and educator Bill Dixon's music has always been something of an enigma to me, but seeing how revered he was by his fellow musicians I tried my best to enjoy it. This album, amazingly released originally by a major label and out of print for many years has been given a beautiful re-issue and ...
Recent Listening: A Bill Dixon Rarity
Bill Dixon, Intents and Purposes (International Phonograph). Dixon, who died last year at 84, is typically described as a force in the free jazz that emerged in the1960s. He was that, but Intents and Purposes defied labeling when Dixon recorded it more than four decades ago. This long overdue reissue confirms that the album withstands categorization. ...
Instant Composers Pool Orchestra to Play 3-Day Concert Series April 1-3 in Philadelphia on US Spring Tour
From April 1st through the 3rd, Ars Nova Workshop will present Three Days in Philadelphia, a multi-night concert series showcasing the work of acclaimed Dutch ensemble Instant Composers Pool Orchestra (ICP), in a rare US appearance. The internationally celebrated tentet has engaged audiences with their unique blend of tradition and experimentation for over 40 years. Instant ...
Laurence Cook and Eric Zinman - Double Action (Ayler, 2011) ****a1/2
By Stanley Zappa Laurence Cook is a national treasure. Why the cultural machinery would rather embrace bourgeois twaddle rather than reward Laurence Cook with a Guggenheim grant or Macarthur award or the key to the city of Cambridge is one of the more egregious betrayals of our modern day. Cook took the drum seat after Milford ...
Weasel Walter / Mary Halvorson / Peter Evans: Electric Fruit
by Clifford Allen
Weasel Walter / Mary Halvorson / Peter EvansElectric FruitThirsty Ear2011 Percussionist and improviser Weasel Walter often uses the term “face rip" to describe a particularly intense musical experience. In improvised music, you often don't get a “blood and guts" approach; free jazz, in many instances, has been ...
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